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Eric Decker and Prince won’t be the only Minnesota natives involved with the Super Bowl on Sunday. Bob Dylan’s music will be featured in two commercials.
His 1966 hit, “I Want You,” will be heard in an ad for Chobani yogurt about a bear going into a convenience store. Check it out below.
Dylan himself is expected to be featured in a Super Bowl commercial for Chrysler; no bears will be riding shotgun. No word yet which of his songs will be in the spot. In the recent past, Chrysler has tapped Eminem, Berry Gordy and Clint Eastwood to star in its commercials.
Dylan’s past involvement in commercials has been unpredictable. There was the infamous Victoria’s Secret spot in 2004 (see above), and he appeared in a 2006 Apple ad and a 2007 commercial for Cadillac. He allowed his song “Forever Young” in a will.i.am mashup for a 2009 Pepsi spot.
Your Super Bowl scorecard shows that Decker, the Cold Spring native, will be playing for the Denver Broncos, and Minneapolis native Prince will be a guest star (as himself) on Fox’s “New Girl,” Zooey Deschanel’s series that will be broadcast after the Super Bowl.
Local screenwriter Michael Starrbury ("The Inevitable Defeat of Mister & Pete") is coming off a remarkable week and looking forward to another one.
On Jan. 15 he dined at the White House, where his dramatic comedy about a pair of hard-luck New York City minority kids was presented for an audience including the First Lady.
In addition to dinner and a bag of official White House popcorn, "I got to meet Mrs. Obama. It was an incredible experience. She's so humble and sweet," he said.
She had nice things to say about him at the event as well, leading a round of applause for his work and smiling, "Well done, well done... This movie ws so powerful to me." (The comments begin at the 12 minute mark of the video above.)
And on March 1, the day before the Oscars ceremony, Starrbury will be at the Independent Spirit Awards in Santa Monica, Calif. He's nominated for best first screenplay prize.
"I've had calls from people telling me they likes it and they're voting for it," he said, "but the main thing is to go and chill out and get out of this Minnesota weather for a minute."
While he's there, Starrbury will be pitching a new feature for Universal Studios, a kids' comedy.
He'll also attend New Line Studios live reading of his upcoming script "The Great Unknown," based on the graphic novel by Duncan Rouleau. Also attending will be the project's director Jorma Taccone ("MacGruber.") The project is a low-fi action comedy about a daydreaming slacker convinced that telepathic thieves are stealing all his great ideas.
PARK CITY, UTAH --
The sad and lovely musical biography “Low Down” stars John Hawkes as the late Joe Albany, a talented but troubled jazz pianist who recorded with Charlie Parker and Lester Young in the 1940s.
It’s a typically observant piece of work by Hawkes. He transforms himself with chameleon skill into a tender father and unreconstructed drug addict raising his adoring daughter (played by Elle Fanning) in a seedy Hollywood hotel.
The most breathtaking aspect of the performance may be the extended scenes of Hawkes fingering the keyboard in perfect synch with Albany’s punchy bop recordings. It’s the type of commitment Hawkes typically brings to his work. After all, he learned to type with a mouth stick for his role as a quadriplegic journalist in last year’s “The Sessions.”
Director Jeff Preiss covered similar jazz-noir ground as cinematographer for the Oscar-nominated 1988 Chet Baker documentary “Let’s Get Lost.” Preiss lauded Hawkes’ commitment following a screening at the Sundance Film Festival. Hawkes, a guitarist and songwriter himself (he’s on the “Winter’s Bone” soundtrack) worked intensely with musician Ohad Talmor, who assured Preiss that Hawkes was ready for his turn in the spotlight.
The film’s first music scene, a trio playing at a bohemian party, is a complicated bit of choreography that showed the Alexandria-born Hawkes playing from several angles. “We left it till the end of the day,” Preiss said. “All day John had a little keyboard in his trailer. He just sat there concentrating. Came the time, he went through the whole tune on the first take. I was looking at the monitor aw we were roving the room and there’s John playing. We go back to his hands and it’s perfect. We come off and go around and back to his hands. It’s perfect, two or three times. End of the song, I say ‘Cut,’ and there was the sound of a stampede in the hallway.” The door banged open as the off-set crew, who had monitored the proceedings on video screens, burst in.
“They could not believe they had just seen something that didn’t seem possible,” said Preiss, who has directed music videos for everyone from Iggy Pop, Malcolm McLaren, REM and the B-52s to Mariah Carey, said, “it’s an amazing feat that John Hawkes did, an incredible example of his brilliance as an actor.”
Vergne in a Thomas Hirschhorn 2006 installation at the Walker. Star Tribune staff photo by Tom Wallace.
Philippe Vergne, who was curator and later Deptuy Director and Chief Curator at Walker Art Center, has been picked as director of the Museum of Contemporary Art, Los Angeles. He follows Jeffrey Deitch, a former New York art dealer, whose controversial leadership of MOCA ended with his resignation last September after three years on the job.
The 35 year old museum in downtown Los Angeles has struggled financially in recent years as it tried to manage three sites and to develop an artistic vision that would please artists and excite support from wealthy collectors and potential donors. Within the past year board members raised $100 million to shore up an endowment that had dropped to $6 million in the 2008 financial crisis. The money is expected to produce income of at least $5 million annually to support operations.
Vergne,47, is fondly remembered in Minneapolis for his indelible French accent and his venturesome exhibitions which included more than 25 international shows including solo show and installations by Yves Klein, Thomas Hirschhorn, Huang Yong Ping and Kara Walker.
His decade long association with the Walker (1998 - 2007) was briefly interrupted by a return to his native France to run the private Francois Pinault Foundation in Paris. When the foundation's namesake mogul decided to relocate the foundation to Venice, Vergne in 2005 returned to the Walker as Deptuy Director and Chief Curator.
In 2008 he moved to New York to head the Dia Art Foundation which focuses on massive installations, conceptual, and earth-art primarily by mid-20th century Americans. He is credited with strengthening Dia's board of directors, consolidating its operations, and developing long range plans to stabilize its finances and artistic ambitions.
Artists have been deeply involved with MOCA since its founding in 1979 and their vociferous criticism of Deitch as overly commercial contributed to his departure. Conceptualist John Baldessari heartily endorsed Vergne's selection, saying in a statement issued by the museum, "I am 100% excited that Philippe Vergne will be the new director of MOCA. MOCA is very fortunate. I think it's a perfect marriage."
Other artists who touted Vergne in the museum's statement include Barbara Kruger who cited his "intelligence, vision, and ambition to lead MOCA forward;" Catherine Opie who declared herself "personally thrilled;" and Ed Ruscha who dubbed him "the most artist friendly and at the same time the most community friendly" candidate.
Richard Koshalek, a MOCA director in the 1980s, told the New York Times that, "The most important challenge for the new director is to raise the standard of expectations of the museum within this community and beyond, and that means new, original ideas for the future. If you don't raise expectations in every sense -- in terms of leadership, programs and such -- you will not have the chance to raise the funding needed for the museum to sustain itself programmatically and operationally going forward."
Koshalek, who began his career as a Walker curator in the 1970s, recently returned to L.A. after running the Hirshhorn Museum and Sculpture Garden in Washington, D. C. for several years. In one of those small-world, musical-chairs coincidences endemic in the art community, the Walker's current director Olga Viso preceded Koshalek as director of the Hirshhorn.
Star Tribune photo by Renee Jones Schneider
Miley Cyrus got on the phone for a teleconference call with journalists Wednesday to discuss her upcoming Bangerz Tour, which comes to Xcel Energy Center in St. Paul on March 10.
We couldn’t wait to share some of what Miley had to say, though we’ll give you the full story in March.
First, let’s explain the rules. We had to submit written questions, they could only be about the tour and her publicist chose the questions and read them to Miley.
So no asking about twerking. Got that?
Except Miley can’t control her mouth. Here are some of her choice comments.
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