Welcome to Artcetera. Arts-and-entertainment writers and critics post movie news, concert updates, people items, video, photos and more. Share your views. Check it daily. Remain in the know. Contributors: Mary Abbe, Aimee Blanchette, Jon Bream, Tim Campbell, Colin Covert, Laurie Hertzel, Tom Horgen, Neal Justin, Claude Peck, Rohan Preston, Chris Riemenschneider, Graydon Royce, Randy Salas and Kristin Tillotson.
The Oslund and Associates landscape architecture firm, in association with Snow Kreilich Architects, is expected to be picked for a $10 million reconstruction of the Minneapolis Sculpture Gardenand renovation of the Cowles Conservatory.
Money for the project came from the Minnesota State Legislature which appropriated $8.5 million in state bonding funds in May 2014, and from the Mississippi Watershed Management Organization (MWMO) which is providing up to $1.5 million for new stormwater management systems.
The 11 acre Sculpture Garden, sited across the street from Walker Art Center near downtown Minneapolis, is built on former marshland owned by the Minneapolis Park and Recreation Board (MPRB). The Sculpture Garden, designed by Edward Larrabee Barnes, opened in 1988 and hosts 45 sculptures that are owned by the Walker.
The Oslund team was chosen from three finalists. The team will be recommended to a committee of the Minneapolis Park and Recreation Board for action on August 20 and, if approved there, to the full MPRB for action on September 3. If approved by the MPRB, as expected in September, the team will begin getting input from community meetings starting in October. Designs will be drafted over the winter, and construction should start in summer 2015.
The project will include repair or replacement of "deteriorated and inadequate infrastructure," the MPRB said in a statement. Among those items will be irrigation, drainage and stormwater systems, walkways and retaining walls.
The garden and conservatory will be closed throughout construction which is scheduled to be finished in fall 2016.
The Minneapolis Institute of Arts has hired Jill Ahlberg Yohe to be Assistant Curator of Native American Art in the department of Africa and the Americas. Ahlberg Yohe, who will start work in Minneapolis on August 4, comes from the Saint Louis Art Museum where she has been an assistant curator of Native American Art since 2013 and a Mellon Fellow since 2011. She replaces Joe Horse-Capture, former associate curator of Native American Art, who moved to Washington, D. C. in May 2013 for a post at the National Museum of the American Indian.
Ahlberg Yohe earned a doctorate in cultural anthropology at the University of New Mexico with a dissertation on "The Social Life of Weaving in Contemporary Navaho Life." Previously she was a visiting assistant professor of anthropology at Franklin and Marshall College, Lancaster, PA. She co-curated the exhibition "Mother Earth, Father Sky: Textiles from the Navajo World," which is currently on view at the St. Louis Art Museum.
Helio Oiticica and Neville D'Almedia's "Block-Experience in Cosmococa--Program in Progress (1973) as seen on a tablet.
In 2005 when Walker Art Center published the most recent catalogue of its 12,000 piece collection, the 616 page volume was years in the making and covered a mere fraction of the center's holdings. Film, video, music, dance and other performance activities-- which are a key part of the Minneapolis' institution's program-- were described but not as thoroughly represented as paintings, sculpture and other objects.
A new "Living Collections Catalogue" aims to be more interactive, flexible, and responsive to the multidisciplinary focus of the collection. The web-based project will be accessible via laptop, smartphone, a tablet computer or other digital devices. Published in serial form, the segments will include documents, original interpretations from scholars commissioned by the Walker, and a variety of media resources about selected work from the collection.
The first segment, "On Performativity," deals with performance-based work in relationship to the visual arts. Scholars Philip Auslander, Shannon Jackson, and Dorothea von Hantelmann provide an overview of contemporary performance. Individual works in the collection are discussed by Elizabeth Carpenter, Eric Crosby, Peter Eleey, Bartholomew Ryan, and Irene Small. Multimedia material enhances their comments.
Artists whose work is explored in "On Performativity" include dancer/choreographer Trisha Brown, installation artist Helio Oiticica, filmmaker Neville D'Almedia, performers Eiko & Koma, mixed media installation artist Tino Sehgal, and an Anthropometry painting by Yves Klein.
The current exhibition "Art Expanded, 1958-1978, will be explored in a future segment.The online catalogue is supported by grants from the Getty Foundation as part of its "Online Scholarly Catalogue Initiative (OSCI) which supports similar programs at the Art Institute of Chicago, the Freer Gallery of Art and Arthur M. Sackler Gallery, the J. Paul Getty Museum, the Los Angeles County Museum of Art, the National Gallery of Art, San Francisco Museum of Modern Art, the Seattle Art Museum and the Tate Gallery.
While immersive, site-specific dance-theater has been popular in New York and elsewhere for several years, as evidenced by such long-running shows as "Sleep No More" by Punchdrunk Theater, it is more rarely seen in the Twin Cities.
In "KOM HIT!" Audience members, who are encouraged to wear stick-on moustaches a la Strindberg, may wander freely from room to room, up staircases and into hallways. You may be invited into a room for a solo performance by a singer playing electric guitar, or witness a thrashing dancer in a "mad scene" through the window of a what looks like a walk-in closet.
Here a woman gazes at her reflection in a mirror, there a teenaged girl plays electric bass with an angel-wing-wearing guy on the accordion. Feathers drop into the foyer from above. A sad creature writhes alone on a bare wood floor.
The troupe numbers more than 14 performers, but co-creators Sally Rousse and Noah Bremer are showcased in certain "episodes," including a group scene in the American Swedish Institute's top floor that involves posing for photographs and passing through a large picture frame. Well-known Ballet of the Dolls dancer Stephanie Fellner gets a lot to do, and does it well. In the end, however, the piece is more about mood and movement, perhaps the ephemeral nature of souls and old houses, than it is a coherent narrative.
See "KOM HIT!" at 6 and 7:30 p.m. on June 26 and July 1, 3, 8 and 10. $20, 612-871-43907, or go here.
The performances are timed to the opening of a terrific small photo show in the new wing at ASI. Turns out old August S. was both a fashion hound and a fan of selfies (well before the term came into vogue, and almost at the dawn of photography itself). The photos of Strindberg come from Fotografiska, Sweden's preeminent photo museum.
J Mascis (provided by MIA)
The Minneapolis Institute of Arts has once again turned to a '90s indie-rock hero for its fledging contemporary music series Sound.Art.MIA.
Guitar hero J Mascis, longtime frontman of Dinosaur Jr., will play the MIA Oct. 9, midway through a fall tour to promote his second solo album, "Tied to a Star." Tickets for the concert, co-sponsored by 89.3 the Current, are $20 and go on sale at 10 a.m. Friday via the MIA's ticketing site.
The MIA launched its concert series in February with Mascis' fellow "1991: The Year Punk Broke" veteran Kim Gordon of Sonic Youth, who played a roaring show of guitar duets with Bill Nace in the museum's cavernous Michael Graves-designed Reception Hall -- a setting more suited to wine, cheese and cocktail chat.
Earplugs are advised -- fans are probably still bleeding out from Dino Jr.'s most recent local concerts at First Ave and the Triple Rock. But this time out Mascis may well stick to acoustic guitar, based on a listen to the strummy new song "Every Morning" (released Tuesday along with his tour itinerary) as well as the 7th Street Entry show he played in 2011 behind his first solo effort.
Mascis talks (a little, sort of) about the new album, scheduled for release in August, in this trailer from Sub Pop Records.
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