Welcome to Artcetera. Arts-and-entertainment writers and critics post movie news, concert updates, people items, video, photos and more. Share your views. Check it daily. Remain in the know. Contributors: Mary Abbe, Aimee Blanchette, Jon Bream, Tim Campbell, Colin Covert, Laurie Hertzel, Tom Horgen, Neal Justin, Claude Peck, Rohan Preston, Chris Riemenschneider, Graydon Royce, Randy Salas and Kristin Tillotson.
The Minnesota Marine Art Museum in Winona has added a 5,000 sq. ft. gallery and loans of eight new paintings to its already impressive collection of water-themed art. The new Richard and Jane Manoogian Gallery will officially open to the public Sunday, Sept. 28.
The new paintings include images by English landscape master John Constable (1776-1837), German Expressionist Max Beckmann (1884-1950), American Modernist Stuart Davis (1892-1964), and the romantic American naturalist Martin Johnson Heade (1819-1904) whose "View from Fern-Tree Walk," (1887), above, is a star addition. The pictures are on loan from the museum's founders Robert "Bob" Kierlin and his wife Mary Burrichter.
Detroit-native Richard Manoogian, a prominent collector of American art, is heir to a faucet-manufacturing fortune derived from Masco Corporation which was founded by his father. With support from a foundation established by the Manoogians, the Winona museum added a gallery that will primarily house paintings from its collection and long-term loans of Hudson River School, French and American Impressionist, and European and American modernist paintings.
(10 a.m.-5 p.m., Tues.-Sun., $7 adults. Minnesota Marine Art Museum, 800 Riverview Dr., Winona. 1-507-474-6626 or 1-866-940-6626 toll free; or www.mmaam.org)
In what may seem like an odd pairing, James Sewell of the Minneapolis-based Sewell Ballet is working with veteran documentary filmmaker Frederick Wiseman on a new ballet based on an old Wiseman movie.
Wiseman's 1967 "Titicut Follies" documented the residents and inmates at Bridgewater State Hospital for the Criminally Insane in Bridgewater, Mass.
This early Wiseman documentary ignited controversy when state authorities sought to prevent its release, saying it violated inmates' privacy. The legal case rolled through various jurisdictions, but the film was withheld from distribution for years. Wiseman went on to wide fame for his fly-on-the-wall documentaries on a variety of subjects, including high-school life, meat, public housing, boxing and, in two movies, the world of dance.
Fast forward to 2014, when a new Center for Ballet and the Arts is set to open at New York University. Wiseman is among the center's first group of fellows. He announced this week that as part of that fellowship he is planning a ballet based on the film, to be created by choreographer Sewell.
Sewell said Wednesday that he and Wiseman have been talking by phone about the project this summer, and that Wiseman is due in Minneapolis later in September for meetings and in-studio improvisation. Wiseman is a "visionary," Sewell said, "and it extends beyond his medium. We've synthesized how our worlds can connect."
Sewell said the ballet, which may retain the movie's title, is likely to require 10 male dancers, as well as other characters to potray the state hospital's doctors and nurses. Likely to premiere in Minneapolis about two years from now, the ballet will include music and possibly video from the original film, Sewell said.
"When I first saw the film -- so intense, so strange -- I thought, 'how could you make a ballet of this?' But the elements are all there -- humorous, poetic, horrifying, sad," Sewell said.
The movie's title comes from an annual variety show that Bridgewater officials and inmates staged at the hospital. "These violent criminals and mentally ill inmates would put on a show, singing Gershwin with pom-poms in their hands," Sewell said.
While funding and other details remain to be worked out, Sewell said he "could not be happier" about this collaboration, which "dropped in my lap." He hopes to find a way, in dance, to portray "the inner landscape" of the often abused, catatonic or disruptive Bridgewater population.
Wiseman, 84, just won the Golden Lion Career Award at the Venice Film Festival.
Minnesota artist Andrea Stanislav's "Nightmare" video of a white horse galloping on water was hobbled by technical problems in 2011 when the University of Minnesota associate professor planned to show the video as part of that summer's Northern Spark festival in the Twin Cities.
On July 25-26, 2014, however, Stanislav's magical illusion was a success in St. Petersburg, Russia under the aegis of Manifesta 10 Parallel Projects. There the full-scale white horse appeared on a video screen that was pulled on a barge along the Neva River, past the State Hermitage Museum, and through some 30 kilometer's of the city's canals.
Russian media loved the project and covered it in more than 60 print publications, 10 television stations and three radio outlets, Stanislav said. Thousands of people stayed up as late as 2 a.m. to view the horse from river embankments throughout the city.
"We were planning on performing 'Nightmare" on the Moscow River on September 19 in conjunction with the Moscow Art Fair," Stanislav said in an email. But that and another Moscow plan "is hostage to the current international situation and on hold."
Meanwhile she's working to present "Nightmare" in New York next year.
Weather looks iffy, but the Bike-In Movie is on for Thursday night (Aug. 21) on the Midtown Greenway. The 4th annual event features food by Taco Cat, beer by Indeed Brewing Co. and a screening, about 9 p.m. or a bit earlier, of "Elemental," a documentary about three committed eco-activists in different parts of the world. In case of rain, the event will take place inside Freewheel Bike Shop.
A pre-movie mixer is scheduled for 6:30 to 8 p.m. More Info: facebook.com/events/440636552743931
On Twitter: @aigamn #bikeinmovie
"Lake Untersee," a new play by Joe Waechter about a disaffected teen who travels to Antarctica, will open the 8th season of Workhaus Collective in Minneapolis. It will be directed by Jeremy Cohen of the Playwrights' Center, and will be staged at Illusion Theater in downtown Minneapolis.
The Workhaus season continues with "Skin Deep Sea," by Stanton Wood. It is described as "an unusual love story about a two-headed witch, a pirate airship captain cursed with bad luck, a Cuban war hero in search of a meaningful cause, and the two feuding daughters of robber baron Penelope Cooke, the fifth richest person in America." It opens in February at Playwrights' Center.
The third play is "The Reagan Years," by Dominic Orlando. The play follows four friends as they graduate from college. Their attempt to "keep the party going" runs spectacularly off the rails. It will open in April at Playwrights' Center.
The Minneapolis-based Workhaus Playwrights Collective includes Trista Baldwin, Alan Berks, Jeannine Coulombe, Christina Ham, Carson Kreitzer, Dominic Orlando, Joe Waechter, and Stanton Wood.
Tickets for "Lake Untersee" are available not via Illusion's box office at 612-339-4944. Or click on the Workhaus website.
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