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"Reds, Virginia, Minnesota, 1985" by James Crnkovich
Former Minnesota photographer James Crnkovich returns to his home state for a five-day tour to launch a sweet book of his photos. Starting with a signing at the Saint Paul Saints game on July 1, the tour will include additional stops in St. Paul, Aurora, Gilbert, Virginia and Mountain Iron.
A graduate of the University of Minnesota, Crnkovich has been featured on CBS's Sunday Morning with Charles Kuralt, has his work in the collection of the Minnesota Museum of American Art, and has exhibited around the world. Locally he's best known for his 1980s photos of the Iron Range which were included in the exhibition "At a Close Range," which traveled to colleges, universities and historical societies throughout the Midwest.
His new paperback, "Authentic Americana: The Art of Social Documentary," reprints about 50 of his color and black-and-white images dating from 1980 to the present. Taken in Minnesota, New York, Boston, Phoenix, Chicago and elsewhere, they capture the American scene in all its gaudy vulgarity, latent violence, decay, cornball nonsense, and good humor. His commentary about the images is as insightful as the pictures themselves. There's a certain tenderness and big hearted acceptance of human frailty and loneliness that makes his photos very special.
Now a resident of Mesa, Arizona, Crnkovich will be back home in Minnesota to promote the book at the following events. The book also is available through: Naciketas Press, 715 E. McPherson, Kirksville, MO 63501.
July 1: 6 p.m.-10 p.m. Saint Paul Saints "Christmas in July" game, Midway Stadium, 1771 Energy Park Dr., St. Paul.
July 2: 7 p.m.-9 p.m., Common Good Books, Snelling at Grand, St. Paul.
July 3: 6 p.m., Aurora; 7 p.m., Gilbert. Patriotic Parades.
July 4: 1 p.m.-2 p.m. Aurora Public Library. 6 p.m. Virginia 4th of July parade.
July 5: 7 p.m.-9 p.m., Mac's Bar, 8881 Main St., Mountain Iron.
A MCAD staff member finished installing the last McKnight Foundation visual art exhibition in January 2014. Star Tribune staff photo by Richard Sennott
Eight Minnesota visual artists have received $25,000 each from the McKnight Foundation in a program administered by the Minneapolis College of Art and Design (MCAD). The winners are: David Bowen of Duluth, and Sam Gould, Alexa Horochowski, Michael Hoyt, Alison Malone, Lamar Peterson, Joe Smith, and Tetsuya Hamada, all Twin Cities residents.
A support program for mid-career artists, the McKnight Artist Fellowships for Visual Artists provides each winner with three things besides the money: critiques with national critics; a limited edition book about their work; a speaking opportunity. The public exhibitions that were an element of the program for 32 years were discontinued this year in favor of the book/talk component. When the exhibitions were cancelled, the number of visual art grants also was increased from four to eight.
Five of the 2014/15 Fellowship winners are academics. Bowden is an associate professor of sculpture and computing at the University of Minnesota, Duluth. Horochowski is a sculpture professor at St. Cloud State University. Smith is an art professor at University of Northwestern in St. Paul. Peterson, an assistant professor of drawing and painting, and Yamada, an associate professor of art, both teach at the University of Minnesota's Twin Cities campus.
The other three winners are engaged in various activities. Gould is a writer/ publisher who co-founded Red 76 and is the editor/designer of the Journal of Radical Shimming. Hoyt produces arts-based community development projects. Malone is a photographer who documents American subcultures.
Fellowship winners were picked by three jurors: Xandra Eden, exhibition curator at the Weatherspoon Art Museum, University of North Carolina, Greensboro; Hesse McGraw, vice-president of exhibitions at the San Francisco Art Institute; and Deborah Willis, artist, professor and chair of the Department of Photography & Imaging at the Tisch Center for the Arts at New York University.
Matisse's "Large Reclining Nude," 1935
Break out the berets and head over to the Minneapolis Institute of Arts for a free stroll through the popular "Matisse: Masterworks from the Baltimore Museum of Art," show. Adult tickets for the special exhibition are normally $16 weekdays, $20 weekends, but for one night it will be free. Tickets are timed and limited in number, however, so savvy art fans will arrive early for the 6 p.m.-9 p.m. event March 20.
For this "Third Thursday" program the museum is embracing all things French. The Alliance Francaise Mpls/St. Paul will offer informal French lessons in the galleries. Arty types can "draw with scissors" as Matisse did when nipping out his famous and very colorful cutouts of dancers cavorting in space. Museum visitors will be encouraged to confine their cutouts to post cards or collages, however.
And everyone will be encouraged to indulge in a selfie with a life-sized cutout of Matisse in the MIA photobooth. Or visitors can take self-portraits in a life-sized replica of one of the artist's paintings. Music wiil be provided by the Atlantis Quartet, a modern jazz group.
The "Matisse" show features paintings and drawings from the collections of Claribel and Etta Cone, wealthy Victorian-era Baltimore women who were introduced to Matisse at the Paris salon of writer Gertrude Stein. Over 40 years, the sisters bought more than 500 paintings, drawings and sculpture by Matisse that they later bequeathed to the Baltimore Museum of Art. The Institute's show is on loan from the Baltimore institution through May 18.
The Independent Filmmaker Project Minnesota, a fixture on St. Paul’s western border since 2005, will soon be packing up for a move.
Seeking a new headquarters with lower rent than its current location, the media arts center will soon announce a new address. The current leased space at 2446 University Av. W. in St. Paul, a 7,500-square-foot site filled with spacious offices, “is no longer meeting our needs,” IFP Minnesota Executive Director Andrew Peterson announced Thursday. While he emphasized that “IFP MN is on strong financial footing,” a less costly home base “is crucial to future stability and success.”
IFP was founded in 1987 when a group of Minnesota filmmakers got together to create a Sundance-bound feature, “Patti Rocks,” and to encourage local filmmakers to create projects outside the studio system.
Economizing on rent will help the organization, which administers several McKnight grants, direct its resources to its core mission. “All non-profits need to be responsible with their budgets and weight spending toward programming, rather than rent,” Peterson said. In recent years, IFP Minnesota has tightened its belt with staff salary cuts.
IFP Minnesota's current space, which includes gallery space, administrative offices and photo darkrooms, opened a decade ago the help of many community leaders and funders to serve the independent film and video community. The new location will allow space and reallocated resources for expanded youth workshops, new film and video courses, additional professional development, and more media artist fellowships, as well as other events and exhibitions.
The Walker Art Center is bringing back its cat-video festival back to its Open Field, were this family of feline fanciers were photographed at the fest's 2012 debut.
Cats may roam, but eventually they come back home.
On Aug. 14, the Walker Art Center will reprise its stunningly popular Internet Cat Video Festival for a third year -- this time back on Open Field, the rolling green expanse next to the museum where 10,000 people gathered for rhe first fest in 2012.
Intended only as an experiment at first, the festival became a stellar example of togetherness in the Internet age, a place where people fond of viewing cat videos, one of the most universally popular online time-wasters, could gather IRL (in real life) for communal enjoyment of the same thing on a giant screen.
The event drew international media attention from sources as varied as the New York Times, the BBC and CHEEZburger, a website largely responsible for popularizing cat videos in the first place. The fest has also helepd to make stars of Grumpy Cat, Lil Bub and other furry little divas, as well as spawned several -- ahem -- copycats, but do not be fooled: The Walker can rightfully lay claim to conceiving the original animal.
Last year the fest was moved to the Grandstand at the Minnesota State Fair, because construction at the Walker made field access problematic and they anticipated an even bigger crowd. The move drew criticsm from purists who felt the magic would be lost due to both the less-than-sylvan venue and the cost. The first fest was free, but last year attendees had to pay $10 on top of fair admission.Still, it drew an even bigger crowd of 11,000.
Sarah Schultz, the Walker's director of education and curator of public practice, called the State Fair "an excellent alternative venue to host a large crowd" but said that a return to Open Field was always the plan, now that construction is complete.
This summer’s fest will be programmed by inaugural Golden Kitty (people's choice) award-winner Will Braden, the video producer behind perennially angst-filled Henri le Chat Noir. Information about video submissions and event details will be announced next month.
Some observers wonder whether the cat-video supernova burned too bright, too fast, to last. The Walker folks aren't worried about its enduring appeal.
"Cat video fans are a passionate bunch,"said publicist Rachel Joyce, noting that the festival's tours to other cities has increased the fan base. "I don't think it's time for the cat to jump the shark just yet. But it might make a cool video."
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