Welcome to Artcetera. Arts-and-entertainment writers and critics post movie news, concert updates, people items, video, photos and more. Share your views. Check it daily. Remain in the know. Contributors: Mary Abbe, Aimee Blanchette, Jon Bream, Tim Campbell, Colin Covert, Laurie Hertzel, Tom Horgen, Neal Justin, Claude Peck, Rohan Preston, Chris Riemenschneider, Graydon Royce, Randy Salas and Kristin Tillotson.

Posts about Art

Intermedia Arts announces its fall '14 season

Posted by: Rohan Preston Updated: July 22, 2014 - 11:38 AM

Intermedia Arts, the Minneapolis venue known for inclusive and sometimes transgressive performing and visual arts, has announced a fall season. 

The line-up kicks with Leilani Chan’s “Global Taxi Driver,” which is drawn from the lives of the international cast of characters behind the wheel. Chan wrote and directs this show, which runs Sept. 11-21.

Next up is “Girlywood,” choreographer April Sellers’ new show that includes “Jousting,” a duet with dancer Mary Ann Wall about feminism (“the new ‘F-word’”). Sellers (right) also perf “Big Baby,” which centers on female archetypes (Oct. 9-11).

Actor, playwright and director Shá Cage (left) is now adding curator to her titles. She assembles as cast of women of color for “The Blacker The Berry,” a visual exhibit that is accompanied by performances. 

The show celebrates the works of over 50 women, including Thomasina Petrus, Hope Cervantes, Eliza Rasheed, Marcie Rendon, Tish Jones, Beverly Cottman, Carolyn Holbrook, Jada Daniels, Ivory Doublette and Shavunda Horsley.

The Intermedia fall season also includes “Reconciliation,” Marisa Carr’s drama that is set in a future where indigenous people have been imprisoned for failing to reconcile. Dipankar Mukherjee directs for Pangea World Theater (Nov. 14-23).

Knight arts-challenge grant finalists announced

Posted by: Kristin Tillotson Updated: July 14, 2014 - 4:00 PM

A winter Fringe Festival is one of 69 ideas floated toward the Knight challenge grant committee that passed muster as a finalist.

A few months back, the Miami-based Knight Foundation dropped a big windfall on the city of St. Paul, pledging $8 million toward arts organizations and arts-related projects over the next three years. More than half that amount was earmarked for "arts challenge grants" for which anyone could apply, as long as they kept the idea to 140 words or less and the idea somehow benefits St. Paul.  Of the 850 concepts that rolled in for the first year, 69 have been chosen as finalists. Many are predictable extensions of what existing arts groups already do, but there are also some fresh and quirky notions:

--Erik Barsness wants to bring a new chill to Saint Paul Winter Carnival audiences through concerts performed on xylophones, marimbas and vibraphones made entirely out of ice by Swedish instrument builder Tim Linhart.

-- Stahl Construction Company wants to preserve the legacy of St. Paul’s architecture by restoring the historical company signs that distinguish Lowertown.

--The Baroque Room aims to showcase the city's classical-music scene during the Art Crawl through performances in art gallery spaces.

--City of Skate would be a skateable art plaza that brings out the creativity of skateboarders and the community with skateable sculptures, a video screen and performance stage.

Winners (the number of them depends on how much the judges are wowed by final proposals) will be announced in September. 

Minneapolis Institute of Arts hires new curator of Native American art

Posted by: Mary Abbe Updated: June 30, 2014 - 5:04 PM

The Minneapolis Institute of Arts has hired Jill Ahlberg Yohe to be Assistant Curator of Native American Art in the department of Africa and the Americas. Ahlberg Yohe, who will start work in Minneapolis on August 4, comes from the Saint Louis Art Museum where she has been an assistant curator of Native American Art since 2013 and a Mellon Fellow since 2011. She replaces Joe Horse-Capture, former associate curator of Native American Art, who moved to Washington, D. C. in May 2013 for a post at the National Museum of the American Indian.

Ahlberg Yohe earned a doctorate in cultural anthropology at the University of New Mexico with a dissertation on "The Social Life of Weaving in Contemporary Navaho Life." Previously she was a visiting assistant professor of anthropology at Franklin and Marshall College, Lancaster, PA. She co-curated the exhibition "Mother Earth, Father Sky: Textiles from the Navajo World," which is currently on view at the St. Louis Art Museum.

Walker Art Center to publish its collection online in serial format

Posted by: Mary Abbe Updated: June 30, 2014 - 4:47 PM

Helio Oiticica and Neville D'Almedia's "Block-Experience in Cosmococa--Program in Progress (1973) as seen on a tablet.

In 2005 when Walker Art Center published the most recent catalogue of its 12,000 piece collection, the 616 page volume was years in the making and covered a mere fraction of the center's holdings. Film, video, music, dance and other performance activities--  which are a key part of the Minneapolis' institution's program-- were described but not as thoroughly represented as paintings, sculpture and other objects.

A new "Living Collections Catalogue" aims to be more interactive, flexible, and responsive to the multidisciplinary focus of the collection. The web-based project will be accessible via laptop, smartphone, a tablet computer or other digital devices. Published in serial form, the segments will include documents, original interpretations from scholars commissioned by the Walker, and a variety of media resources about selected work from the collection.

The first segment, "On Performativity," deals with performance-based work in relationship to the visual arts. Scholars Philip Auslander, Shannon Jackson, and Dorothea von Hantelmann provide an overview of contemporary performance. Individual works in the collection are discussed by Elizabeth Carpenter, Eric Crosby, Peter Eleey, Bartholomew Ryan, and Irene Small. Multimedia material enhances their comments.

Artists whose work is explored in "On Performativity" include dancer/choreographer Trisha Brown, installation artist Helio Oiticica, filmmaker Neville D'Almedia, performers Eiko & Koma, mixed media installation artist Tino Sehgal, and an Anthropometry painting by Yves Klein.

The current exhibition "Art Expanded, 1958-1978, will be explored in a future segment.The online catalogue is supported by grants from the Getty Foundation as part of its "Online Scholarly Catalogue Initiative (OSCI) which supports similar programs at the Art Institute of Chicago, the Freer Gallery of Art and Arthur M. Sackler Gallery, the J. Paul Getty Museum, the Los Angeles County Museum of Art, the National Gallery of Art, San Francisco Museum of Modern Art, the Seattle Art Museum and the Tate Gallery.
 

Dancing through a mansion

Posted by: Claude Peck Updated: June 25, 2014 - 4:18 PM
The performers of "KOM HIT!" gather near the end of the piece for an ensemble scene in the Turnblad mansion's small top-floor theater. Photo provided by American Swedish Institute.
 
A young woman, barefoot and wearing all white, invokes the spirit of Sweden's literary hero August Strindberg, then opens the heavy wooden doors of the Turnblad mansion on Park Avenue in Minneapolis to begin "KOM HIT!" In the hour that follows, audience members (no more than 35 will be allowed at each performance) poke their heads into nearly all of the mansion's 33 rooms, where they witness snippets of modern dance, mime, music and a small amount of narration. Don't expect to learn much about Strindberg, as the dance-theater piece is "loosely inspired by," and not directly drawn from his life and obsessions.

While immersive, site-specific dance-theater has been popular in New York and elsewhere for several years, as evidenced by such long-running shows as "Sleep No More" by Punchdrunk Theater, it is more rarely seen in the Twin Cities.

In "KOM HIT!" Audience members, who are encouraged to wear stick-on moustaches a la Strindberg, may wander freely from room to room, up staircases and into hallways. You may be invited into a room for a solo performance by a singer playing electric guitar, or witness a thrashing dancer in a "mad scene" through the window of a what looks like a walk-in closet.

Here a woman gazes at her reflection in a mirror, there a teenaged girl plays electric bass with an angel-wing-wearing guy on the accordion. Feathers drop into the foyer from above. A sad creature writhes alone on a bare wood floor.

The troupe numbers more than 14 performers, but co-creators Sally Rousse and Noah Bremer are showcased in certain "episodes," including a group scene in the American Swedish Institute's top floor that involves posing for photographs and passing through a large picture frame. Well-known Ballet of the Dolls dancer Stephanie Fellner gets a lot to do, and does it well. In the end, however, the piece is more about mood and movement, perhaps the ephemeral nature of souls and old houses, than it is a coherent narrative.

See "KOM HIT!" at 6 and 7:30 p.m. on June 26 and July 1, 3, 8 and 10. $20, 612-871-43907, or go here.

Dancers in a room that also has a visual art exhibit on view. Photo by Claude Peck.

The performances are timed to the opening of a terrific small photo show in the new wing at ASI. Turns out old August S. was both a fashion hound and a fan of selfies (well before the term came into vogue, and almost at the dawn of photography itself). The photos of Strindberg come from Fotografiska, Sweden's preeminent photo museum.

 
 
Strindberg
 
"KOM HIT!" dancer on the rooftop of the new wing of the American Swedish Institute.
 
Dancer on the mansion's second floor.
 
Below, trailer for "KOM HIT"

ADVERTISEMENT

Connect with twitterConnect with facebookConnect with Google+Connect with PinterestConnect with PinterestConnect with RssfeedConnect with email newsletters

ADVERTISEMENT

ADVERTISEMENT