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Posts about Theaters

These Fringe shows are selling well

Posted by: Claude Peck Updated: July 25, 2014 - 10:33 AM

Cast members of "Another Opening, Another Show" previewed their Fringe show on July 21. Star Tribune photo by Renee Jones Schneider, reneejones@startribune.com

The Minnesota Fringe Festival, that unpredictable, 11-day cavalcade of monolog, dance, comedy, drama and musicals, opens in a week and runs July 31 to Aug. 10. Based on ticket sales in the past seven days, Fringe executives says these are the top-selling shows.

1. There is No Myth
2. Crime and Punishment
3. The Tiger in the Room
4. Top Gun: The Musical
5. A Very Merry Unauthorized Children’s Scientology Pageant
6. A Christmas Carol Passover
7. The Whole World is Here
8. It Only Takes One
9. Sex & Turkey
10. Flushing New York

We preview the risk-takers who produce musicals at the Fringe in a story on Sunday (July 27). We publish the complete Fringe schedule online and in print on Thursday (July 31). Those with intense interest may view this year's complete Fringe listings right this minute right here.

Beginning next Friday and Saturday, watch the Star Tribune for short reviews of 40 Fringe shows by our crack squad of veteran Fringe-critiquers.

The captains of Fringe have gathered short preview videos of a bunch of shows on their YouTube page.

 

 

Cast members of "Strangetalk," a Fringe show by Theatre Passe-passe. Star Tribune photo by Renee Jones Schneider.

Southern Theater announces membership model for 2015

Posted by: Graydon Royce Updated: July 15, 2014 - 3:26 PM

Photo by David Joles

For many years, there has been idle chatter about how smaller performance groups and venues could somehow leverage their disparate values into something greater.

The Southern Theater has put that concept to work in ARTshare, a new program that uses the subscription model to let audiences sample work from 15 resident theater and dance troupes. Patrons buy an $18 monthly membership and then are all set to pick and choose. Memberships go on sale July 22 for calendar year 2015. The Southern hopes to sell 1,500 memberships and will stop at 2,100.

At the same time, the Southern will change how it schedules performances and allow several companies to run in repertory.

“When multiple resident companies perform in the same week, audiences have more opportunities to see new work,” said Damon Runnals, the Southern’s executive director, in a statement.

The program provides stability for the companies involved, variety for audiences and a much stronger sense of purpose for the Southern, which has in recent years had financial and programmatic issues. The 200-seat theater on Washington Av. now has something that loosely resembles an eclectic season that relies on the strengths of the producing companies.

“The end result is hopefully a better fulfillment of The Southern’s mission: to foster a community of exceptional artists,” Runnals stated.  

There will be 15 productions, according to the press release, with 144 performances through 2015. A partial list of the companies includes: Black Label Movement, Four Humors Theater, Live Action Set, Mathew Janczeski’s ARENA DANCES, Sandbox Theatre, Savage Umbrella, Swandive, Sossy Mechanics, TigerLion Arts, Workhaus Collective.

Memberships and information will be available at the Southern’s website, starting at 2 p.m. on July 22.

McKnight Fellows to unveil works in progress

Posted by: Graydon Royce Updated: June 9, 2014 - 4:25 PM

Three theater artists will test drive new work next Monday at The Southern Theater in Minneapolis. The three are current Playwrights’ Center McKnight fellows Sun Mee Chomet, Denise Prosek and Stephen Yoakam.

Chomet is collaborating with Brenda Wong Aoki, a San Francisco-based performance artist, and Twin Cities musician Susan Tanabe on a reimagining of “The Queen’s Garden.” Aoki wrote the fairy tale with a jazz score. Chomet, last seen in “Othello” at the Guthrie, previously wrote and performed “How to Be a Korean Woman” about her experience as an adoptee reuniting with her birth family.

Prosek, the longtime resident music director of Theater Latte Da, will unveil a first look at a musical she’s putting together with actors Joshua James Campbell, James Detmar and Max Wojtanowicz. “Fire It Up” is about the restaurant industry. Prosek has been talking about writing a musical for many years and the fellowship has given her chance to put some extended work into it.

Yoakam is perhaps making the biggest leap among the three. A celebrated dramatic actor (Iago in “Othello” and lauded for the one-man “Iliad”), Yoakam is teaming with dancer/choreographer Uri Sands and TU Dance on a new project. The combination of talents and their diverse track records make this something of an event.

The show is 7 p.m. Monday at the Southern, 1420 S. Washington Av., Mpls. Tickets are free but you should reserve, either online or by calling 612-332-7481.

It's gonna be Bedlam in Lowertown Saturday

Posted by: Kristin Tillotson Updated: May 30, 2014 - 1:31 PM

A couple weeks in advance of the happy chaos that the opening of the Green Line will create, Bedlam Theatre opens the door on its new digs in Lowertown St. Paul (213 4th St. E.) on Saturday with a day-long party from noon till after midnight. The festivities begin with kid-friendly puppet activities, followed by cabaret performances, live bands and wee-hours dancing to vinyl spun by KFAI music director Miguel Vargas.

In keeping with Bedlam's philosophy of putting the community in community-based theater, the space will serve food and drink daily from 11 a.m. to 2 p.m. to encourage residents and visitors to stop in, share ideas and be part of whatever creative process might be going down at the moment. The same concept was behind their popular happy hour at the former West Bank location in Minneapolis, but they're opting for midday this time around because the lunch hour is more of a peak activity time in downtown St. Paul, said director John Bueche.

Bedlam's first Lowertown show opens June 13, the night before the new Green Line brings thousands of Minneapolitans who hate driving on 94 pouring into St. Paul's streets. Titled "The Beast," the play written by Ryan Underbakke follows events leading up to a fictional massacre of an immigrant family in northern Minnesota.

For now, the theater's website is calling for deep-pocketed beer drinkers to fork over $1,000 to help them stock up for tomorrow's party, with the payback being free beer through 2020. Good luck with that, guys -- we're guessing there might be a few takers. See more info here.

Bedlam debuts Lowertown space with Morgan Thorson work

Posted by: Claude Peck Updated: March 24, 2014 - 12:38 PM
From left: Genevieve Muench,  Morgan Thorson, Max Wirsing and Jessica Cressey. Photo by Farrington Starnes.

Bedlam Theatre held its first performance Saturday night at its new Lowertown space in St. Paul and what good fortune to kick things off with the premiere of Morgan Thorson’s “YOU.” Thorson and her crew showed off some of the many possibilities for the big, airy refurbished room with a view of the Union Depot and waiting-to-be-used light rail tracks right outside the window. After the curtain call Bedlam co-founder Maren Ward thanked everyone for attending the “soft opening” (bigger festivities are planned for later this spring, when the space will open its accompanying bar and restaurant).

“YOU” explores the dynamics of a dance ensemble as well as the different personalities that emerge over the course of the creative process. This particular work delves into the positive aspects of interplay and how individuality sparks a collective goal. Joined by the terrific cast of Jessica Cressey, Genevieve Muench, Max Wirsing and special guest Emma Barber, Thorson (a two-time Sage Award-winner) has once again illustrated how a simple concept like collaboration can lead to a much deeper exploration of relationships and movement.

The audience is seated at each end of the space, so some of the experience depends on your location. Thorson plays with this dynamic, running the dancers around the space (and even some of the back rooms) but also experimenting with perspective, constantly shifting the front of the work so that it no longer seems necessary. The movement is pedestrian but when set to everything from Michael Jackson, Bee Gees and experimental harpist Zeena Parkins it acquires an extra level of confidence and showmanship.

Thorson injects several eclectic references to the work. There is a tiny twerk here and there, coupled with a skittering shuffle. All of the dancers don red velvet costumes with gold brocade, as if they ripped down the curtains from a Summit Avenue mansion (Cressey still wears the rod across her shoulders). They dance with determination and a high level of physical propulsion while looking like outcasts from a very peculiar marching band. It’s an excellent visual.

Midway through “YOU” the dancers chant “We trust that things are coming together,” reminding us that they are good dancers, we are “good lookers” and they look good in their costumes, too (created by Merrill Stringer and Thorson). As in many moments throughout the evening, Thorson uses self-reference to shift the perspective again. She and the other dancers work with such focus and commitment, that even the most lighthearted moments unfold with the same sort of care. This is a fine example of how five people can truly become one – or even one another.

Who:  Morgan Thorson

What: “YOU”

When: 8 p.m. Mon. & Thu.-Sat. Ends Mar. 29

Where: Bedlam Lowertown, 213 E. 4th St., St. Paul.

Tickets: $12-$18 (Mar. 24 pay-as-able). 612-341-1038 or www.bedlamtheatre.org

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