Welcome to Artcetera. Arts-and-entertainment writers and critics post movie news, concert updates, people items, video, photos and more. Share your views. Check it daily. Remain in the know. Contributors: Mary Abbe, Jon Bream, Tim Campbell, Colin Covert, Laurie Hertzel, Tom Horgen, Neal Justin, Claude Peck, Rohan Preston, Chris Riemenschneider, Graydon Royce, Randy Salas and Kristin Tillotson.
The Jungle Theater brings back "The Mystery of Irma Vep," with Steven Epp (at left) and Bradley Greenwald, as part of its 2014 season. Star Tribune photo by Tom Sweeney.
Wendy Lehr, currently wonderful in "Driving Miss Daisy" at the Jungle, will be back a year from now when the Minneaplis theater presents her in "On Golden Pond." Bain Boehlke directs and costars in that show about a couple celebrating 48 years of marriage at a lake cabin. (Nov. 7-Dec. 21, 2014).
Also in the 2014 Jungle season:
"Shakespeare's Will," by Vern Thiessen. Boehlke directs Cathy Fuller in the one-woman play about Shakespeare's wife, Anne Hathaway. (Feb. 7)
"Detroit," the play by Lisa D'Amour, won an Obie and was a Pulitzer finalist. Joel Sass directs. (April 11-May 25)
"The Heiress," a Tony-winning play by Ruth Goetz & Augustus Goetz based on Henry James' novel "Washington Square," will be directed by Boehlke. (June 20-Aug. 10)
"The Mystery of Irma Vep," by Charles Ludlam. The high-speed Victorian comedic melodrama won good reviews in 2010, and returns, again directed by Sass, with Steven Epp and Bradley Greenwald. (Nov. 7-Dec. 21)
Season tickets are now on sale. 612-822-7063, www.jungletheater.com.
Eric Moore (center) leads "Tear This Cabin Down" to close Act 1 of "Ghost Brothers of Darkland County"
Associated Press photos by Michael Conroy
A few thoughts about “Ghost Brothers of Darkland County,” the John Mellencamp/Stephen King musical that was performed Thursday at the State Theatre in Minneapolis.
In “The Nose,” Kovalyov’s search for his missing nose, as orchestrated by a young but clearly fearless Dmitri Shostakovich, is a big noisy affair. Effusions of brass and long interludes of pure percussion mark the score, and the singing is mainly declamatory and boisterous. No attenuated love arias or heartbreak-by-moonlight songs here. What opera ever composed has so much work for the trombones?
The ICON movie theater in St. Louis Park was full on Saturday for the Metropolitan Opera’s live telecast of Shostakovich’s seldom-produced “The Nose,” which premiered there in 2010 and is being revived this season. (The high-definition video will be seen again this Wednesday evening in several Twin Cities theaters. Details here.)
South African artist William Kentridge, who made his Met Opera with this brilliant production, has imagined a frenetic world of creatures made out of typography, of inky figures drawing monstrous cartloads as if all Russia were their burden. Then these figures drag in a new scenic element -- a cramped barber shop, a tilted sleeping room on which Kovalyov tosses and turns in misery on his too-small bed.
Kentridge brings great inventiveness and hurly-burly to bear on the Gogol story. Presented in the black, gray, white and brilliant red color scheme of the Russian Constructivists, it’s a world where a newspaper office becomes a towering front page, out of which explode the pressman, the editors and reporters, each singing from their own grimy, newsprint-strewn window.
At one point, type moves like iron filings on a magnet until cohering into a giant image of Joseph Stalin, evoking the era when Shostakovich was emerging as a composer.
The production design shies away from the usual illusions of depth, opting instead for ladders, trap doors and trompe l’oeil effects in a dizzying, floor-to-ceiling 2D effect, like Rowan and Martin’s Laugh-in as imagined by El Lissitzky. When an animated nose takes a dive, it splashes into a movie-reel swimming pool. The profusion of these dynamic visual effects throughout the opera is perhaps its biggest attraction. They added to, rather than distracting from, the music and the singers.
The crack Met orchestra was here conducted by Pavel Smelkov, and the terrific costumes are by Greta Goiris.
Comedy legend Don Rickles canceled his Nov. 9 show at Mystic Lake Casino Hotel.
A statement from Rickles press agent said, “On doctor’s orders, while recuperating from treatment for a leg infection, Mr. Rickles has been instructed not to fly for at least the next six weeks making it impossible for him to make the trip from his Los Angeles home to Prior Lake, Minnesota for this engagement.” Rickles is 87.
Since a later show has not been scheduled, the casino says refunds are available at the point of purchase. For more information regarding refunds contact Ticketmaster at 800-745-3000 or visit the Mystic Box Office Mondays through Saturdays from 10 a.m. to 8 p.m. or Sundays from noon to 8 p.m.