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On the eve of his multi-venue tour in London, Prince held a news conference Tuesday – in the living room of British singer Lianne La Havas, whom he met when she performed in the States.
With about a dozen people in the room, he talked about his love of tea, something he shares with La Havas.
OK, to the important stuff, courtesy of the Associated Press.
On why he recently sued fans whose Facebook pages were selling bootlegs
"Nobody sues fans. It's just a poor way to phrase it. A bootlegger is a bootlegger, a scalper is a scalper. They know what time it is. Just sharing music with each other — that's cool. It's the selling that becomes the problem."
On whether he’ll play England’s famous Glastonbury Festival in June
"I can't think of the festival now."
On how he feels about this summer’s 30th anniversary of his hit movie and soundtrack, “Purple Rain”
"I don't look back”
Heather Johnson, being fitted last summer for Mill City Opera's "The Barber of Seville."/photo by Courtney Perry.
Heather Johnson, who grew up in White Bear Lake, just got some nice props for her performance as Lizzie Borden in Boston Lyric Opera's production. Johnson was back in the Twin Cities last summer for Mill City Opera's "The Barber of Seville" and mentioned that she would be taking on the title role in the world premiere chamber version of the 1965 opera.
Writing in the February Opera News, critic Kalen Ratzlaff didn't have much good to say about the concept and staging from director Christopher Alden. "Cheap laughs" and "depictions of sophmorically 'edgy' sexual behavior," Ratzlaff wrote. However, the critic waxed on about the singers. "If only one could have lifted them up lock, stock and barrel and dropped them into a production worthy of their gifts."
"In the title role, mezzo-soprano Heather Johnson was fearless, channeling a seething fury worthy of Electra and singing with dramatic focus, power and control."
Johnson sang at Roseville High School and then studied with Dan Dressen at St. Olaf. She has lived in New York for 14 years. Next up, according to her web site is a short engagement of "La Cenerentola" at Intermountain Opera, in May.
POST BY CAROLINE PALMER, SPECIAL TO THE STAR TRIBUNE
Childhood dreams can come true. Just ask Alexa Maxwell. While growing up in Minnetonka she wore out a VHS tape of New York City Ballet’s “The Nutcracker,” determined that someday she would dance with the world-class troupe. Last week the 19-year-old signed a contract to join the NYCB corps de ballet.
But dreams do differ from reality. Maxwell wasn’t just handed this big gig. It’s the result of years filled with body-busting effort and personal sacrifice. After studying locally at small dance schools as well as Minnesota Dance Theatre she left home at age 14 to join the prestigious Central Pennsylvania Youth Ballet where she worked on her skills intensively and graduated from high school through online courses.
In June 2012 Maxwell traveled to Manhattan for the summer program at The School of American Ballet, NYCB’s official training program founded by the legendary choreographer George Balanchine. She was asked to stay on and by December earned a coveted apprenticeship plus an opportunity to prove herself worthy of a spot with the company. “They see how you perform, your work ethic,” Maxwell said by phone. “You have one year to try out and then [Ballet Master in Chief] Peter Martins either decides to take you on or you find another job.”
So now the newest member of NYCB will be performing in the “Waltz of the Snowflakes” and the “Waltz of the Flowers” sections of Balanchine’s “The Nutcracker” with other exceptionally talented young dancers throughout this month at Lincoln Center. “It’s really exciting, almost all of the shows are sold out,” she said, adding some awe at the large audience she sees when sneaking a peek from backstage.
After “The Nutcracker” Maxwell will prepare for NYCB’s 2014 winter season by learning the “Diamonds” section of Balanchine’s “Jewels” among other signature repertory works. And while Maxwell is thrilled with her new role in the corps she still has goals, including one day ascending to the level of soloist or even principal dancer. But in the meantime, she said, “I’m just going to keep working hard. I’m so happy to be here and I’m feeling very grateful.”
The website complex.com has come up with a ranking of the 50 states “based on their contribution to popular music.” For each state, complex.com lists “artists born there” and “bands formed there.”
Minnesota is ranked No. 10, with New York first, California second, Louisiana third, Georgia fourth and Tennessee fifth.
You can debate all you want about the order. In fact, Dave Bry of complex.com – one of three guys who helped compile the list and alerted me to it – suggested he might rank Minnesota higher himself. But what you can’t debate is the inadequate research of the complex.com staff.
Here is whom complex.com cites in their Minnesota write-up:
Artists Who Were Born There: Bob Dylan, Jimmy Jam, Terry Lewis, Paul Westerberg, Prince, Slug
Bands Formed There: Atmosphere, Eyedea & Abilities, Hüsker Dü, Low, Information Society, The Replacements, Soul Asylum, The Time, Vanity 6
That's all. Really?
Here is a quickie list of some acts that were overlooked:
Not mentioned in born here: Andrews Sisters (right), Judy Garland, Rock Hall of Famer Eddie Cochran (above, right), Gary Puckett,
Not mentioned in Bands Formed Here: Koerner Ray & Glover, Trashmen, Castaways, Vixen, the Suburbs, Lipps, Inc. (“Funkytown” was bigger than all of Information Society’s singles combined), the Jets, Babes in Toyland (lead singer Kat Bjelland is listed under born in Oregon); Sounds of Blackness, Mint Condition, Semisonic, Next, Bad Plus, Doomtree, Owl City.
Here is the link to complex.com’s rankings:
The Trashmen doing "Surfin' Bird" on "American Bandstand":
Prince/ Photo by Kevin Mazur/ Wire Image
Prince is No. 2 again. Rolling Stone named Bruce Springsteen the king of current live concert performers, with Prince second and the Rolling Stones third.
You’ll recall this summer Entertainment Weekly cited Prince’s “Purple Rain” as the second greatest album of all time. But we digress.
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