Welcome to Artcetera. Arts-and-entertainment writers and critics post movie news, concert updates, people items, video, photos and more. Share your views. Check it daily. Remain in the know. Contributors: Mary Abbe, Aimee Blanchette, Jon Bream, Tim Campbell, Colin Covert, Laurie Hertzel, Tom Horgen, Neal Justin, Claude Peck, Rohan Preston, Chris Riemenschneider, Graydon Royce, Randy Salas and Kristin Tillotson.
As host of “A Prairie Home Companion,” writer Garrison Keillor works up to the Saturday performance deadline, tinkering with his script. Playwright Garrison Keillor knows that will not work in the theater – although he’s pushing things as far as he can with “Radio Man,” at the History Theatre in St. Paul.
Keillor delivered a significant rewrite on Wednesday. An aide delivered the copy to director Ron Peluso, who leafed through a few pages and muttered something about “having a heart attack.” But he put on his best smiling face when the playwright arrived at rehearsal for the show, which opens Sept. 27.
"You've been busy," Peluso joked when Keillor arrived at rehearsal a little later. In an interview, Keillor said he felt he owed it to the actors to be finished with the script by Saturday – which coincidentally is the opening show of the 40th annniversary season of “A Prairie Home Companion.”
Keillor mentioned this Saturday deadline to Peluso as they walked into the rehearsal hall after a break. “Saturday? I was thinking maybe tomorrow,” the director said. They agreed on Friday and then got back to work.
In what may seem like an odd pairing, James Sewell of the Minneapolis-based Sewell Ballet is working with veteran documentary filmmaker Frederick Wiseman on a new ballet based on an old Wiseman movie.
Wiseman's 1967 "Titicut Follies" documented the residents and inmates at Bridgewater State Hospital for the Criminally Insane in Bridgewater, Mass.
This early Wiseman documentary ignited controversy when state authorities sought to prevent its release, saying it violated inmates' privacy. The legal case rolled through various jurisdictions, but the film was withheld from distribution for years. Wiseman went on to wide fame for his fly-on-the-wall documentaries on a variety of subjects, including high-school life, meat, public housing, boxing and, in two movies, the world of dance.
Fast forward to 2014, when a new Center for Ballet and the Arts is set to open at New York University. Wiseman is among the center's first group of fellows. He announced this week that as part of that fellowship he is planning a ballet based on the film, to be created by choreographer Sewell.
Sewell said Wednesday that he and Wiseman have been talking by phone about the project this summer, and that Wiseman is due in Minneapolis later in September for meetings and in-studio improvisation. Wiseman is a "visionary," Sewell said, "and it extends beyond his medium. We've synthesized how our worlds can connect."
Sewell said the ballet, which may retain the movie's title, is likely to require 10 male dancers, as well as other characters to potray the state hospital's doctors and nurses. Likely to premiere in Minneapolis about two years from now, the ballet will include music and possibly video from the original film, Sewell said.
"When I first saw the film -- so intense, so strange -- I thought, 'how could you make a ballet of this?' But the elements are all there -- humorous, poetic, horrifying, sad," Sewell said.
The movie's title comes from an annual variety show that Bridgewater officials and inmates staged at the hospital. "These violent criminals and mentally ill inmates would put on a show, singing Gershwin with pom-poms in their hands," Sewell said.
While funding and other details remain to be worked out, Sewell said he "could not be happier" about this collaboration, which "dropped in my lap." He hopes to find a way, in dance, to portray "the inner landscape" of the often abused, catatonic or disruptive Bridgewater population.
Wiseman, 84, just won the Golden Lion Career Award at the Venice Film Festival.
If you have 30 minutes to spare, check out “Theater People,” a web series created by Matthew Anderson. He wrote, directed and edited ten episodes about the drama behind drama. It’s all locally made – which is important these days, right? At least when it comes to garden produce.
Anderson had toiled for many years in the Twin Cities theater market and then took a stab at Los Angeles. He came back but has put his energy behind a camera. The concept here is just to lampoon the quirks and tics of theater life. But it all feels friendly and cheeky as it lands its punches – kind of like Kate Wetherhead’s “Submissions Only.”
Theaters, private homes and public streets provide cost-free locations and the actors in “Theater People” are doing it mostly for fun.
And it is fun. Stacia Rice and Steve Sweere play former spouses who still run Theatre Unhinged. Sweere is an aging lothario auditioning potential Juliets to his Romeo – but really just trying to make out with young women. Rice’s character watches with simmering but controlled rage. In another scenario, Mark Mattison does a florid and pompous director crafting an original production that he is says is based on the work of Aleister Crowley. Jane Froiland, Jen Rand, Matt Sciple, Katie Willer and Sara Marsh all contribute.
There are ten episodes on the web site, each about eight minutes long. Anderson would like to put together another season and is hoping for some real funding this time. It’s definitely worth having a look and supporting.
Minnesota artist Andrea Stanislav's "Nightmare" video of a white horse galloping on water was hobbled by technical problems in 2011 when the University of Minnesota associate professor planned to show the video as part of that summer's Northern Spark festival in the Twin Cities.
On July 25-26, 2014, however, Stanislav's magical illusion was a success in St. Petersburg, Russia under the aegis of Manifesta 10 Parallel Projects. There the full-scale white horse appeared on a video screen that was pulled on a barge along the Neva River, past the State Hermitage Museum, and through some 30 kilometer's of the city's canals.
Russian media loved the project and covered it in more than 60 print publications, 10 television stations and three radio outlets, Stanislav said. Thousands of people stayed up as late as 2 a.m. to view the horse from river embankments throughout the city.
"We were planning on performing 'Nightmare" on the Moscow River on September 19 in conjunction with the Moscow Art Fair," Stanislav said in an email. But that and another Moscow plan "is hostage to the current international situation and on hold."
Meanwhile she's working to present "Nightmare" in New York next year.
The old Brave New Workshop at 2605 Hennepin Av. S., Minneapolis, has been sold and will be rebranded as a performance space operated by a new nonprofit.
Dudley Riggs had moved his comedy troupe into the building in the early 1960s and it served as home to shows almost continuously until 2011, when the owners of the business moved the club downtown.
Still, the Workshop was using the 2605 Hennepin space as the Brave New Institute School, where classes in improvisation and other stagecraft were held. No one from the Workshop was available to comment on the future of that program. Mike Fotis and Joe Bozic, both veterans who had performed on stage, had been co-directors of the school. They both left earlier this year for other jobs. The Brave New Workshop business is owned by John Sweeney and Jenni Lilledahl, who purchased it in 1997 from Riggs.
The theater, which had about 200 seats, will be remodeled and operated as the Phoenix Theatre. A nonprofit called The Arts’ Nest is being launched to program the space, according to the group’s executive director, Jenna Papke.
Papke said the purchase price was $485,000 and the buyer was an individual who has organized a limited liability partnership called ERK. She did not identify the person, other than to say he or she is on the Arts’ Nest board of directors. The building is being rented to The Arts’ Nest for the cost of taxes and insurance, Papke said. Records show that the 2014 tax bill was about $25,000.
Those documents also show that the previous owner was RICMAR LLC, with an address for Richard Kohn of Cumberland, Wis.
Papke said the new space will open in November. Mission Theatre Company will be the first company to use the theater, with a new work by playwright Sam Graber. The play, "Detainee," will run Nov. 6-15.
Hundreds of actors and writers found their legs in The Brave New Workshop at 2605 Hennepin. Al Franken and Tom Davis did shows there. Hollywood screenwriter Pat Proft called the theater one of best rooms for comedy because of the way laughter resounded off the walls. Sweeney and Lilledahl had moved BNW shows to Calhoun Square for about three years but moved back in 2002.
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