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Kyle Fokken took first place honors for his mixed media sculpture "Fokko."
Members of the Society of Minnesota Sculptors turned out for the opening of an exhibit of art by their colleagues at the Minnetonka Center for the Arts, on view through April 3. The society's 85 members are an eclectic lot whose work typically tends toward whimsical, figurative or abstract pieces in wire, bronze, ceramic or mixed media.
Jurors Sally Johnson of Groveland Gallery and Holly Streekstra of Minneapolis College of Art and Design presented ribbon awards to: Kyle Fokken for "Fokko," a mixed media sculpture that took first place; Richards Poey for "Let's Tango, a bronze sculpture in second place; and Kate Chrisopher, whose ceramic bust, "My Vanishing Illusion," took third place.
Honorable mentions went to Thomas Zahn for his bronze "Solo Dance," Carl A. Smith III, for a wire sculpture, "My Eyes are Here," and Norman Holen for his stoneware piece, "Man with an Owl Mask."
The society is also sponsoring a one-day workshop by Twin Cities area sculptor Foster Wiley, Jr. who will explain how to "Sculpt a Head in Clay." (10 a.m. - 5 p.m. March 15, Minnetonka Center for the Arts, 2240 Northshore Dr., Wayzata/ Orono. To register go here or call 952-473-7261, ext. 16)
Hatcher wrote the play about a school project when he was 11 years in Steubenville, Ohio. He adapted, directed and performed Shakespeare’s drama for his fifth-grade class – and it turned out to be his first hit. He attempts to recapture the heady and naïve optimism of youth in the show.
Hatcher has had a few other successes since. Winner of the 2013 Ivey Lifetime Achievement Award, he has contributed dozens of plays to the Twin Cities theater community (well, not contributed as in “gave;” he got paid for the work). He’s also written a few screenplays, including “Casanova” and “The Duchess.”
The one-man show is Hatcher retelling the memories of the event that launched him on his career.
Now Intermedia, known for its community involvement and outreach to all demographics, can expand on that initial effort, because the Kresge Foundation has given them $ 1 million to do just that over the next three years.
Intermedia will help to select local artists to work with up to five city departments, said Theresa Sweetland, executive and artistic director of Intermedia Arts. Both current mayor Betsy Hodges and former mayor R.T. Rybak were on hand at an early afternoon gathering at Intermedia's space on Lyndale Ave. S to announce the news.
Results of the 2013 pilot program are on display in an exhibit called "This Is Our City!" at Intermedia through March 8.
Photo: Director Theresa Sweetland of Intermedia Arts, which announced a $1 million grant from the Kresge Foundation Monday.
POSTED BY CAROLINE PALMER, SPECIAL TO THE STAR TRIBUNE
When Myron Johnson, artistic director of Ballet of the Dolls, took the Ritz Theater stage on Saturday night to introduce Ashwini Ramaswamy, he reminded the audience that a dancer’s first solo show is a “rite of passage.” It’s an opportunity, he said, “To do your own thing.” And Ashwini, a member of Ragamala Dance, did just that in “Swarupa (Revelation).”
A live Indian orchestra accompanied Ashwini, who was dressed in a costume of brilliant red and gold, as she performed the south Indian dance form known as bharatanatyam. Vocalist Lalit Subramanian, Rajna Swaminathan (percussion), Anjna Swaminathan (violin) and Ashwini’s mother, Ranee Ramaswamy (co-artistic director of Ragamala with Ashwini’s sister Aparna Ramaswamy), chanted the spoken syllables that add another layer to the complex rhythms. Dance and music have a strong bond in bharatanatyam, and this symbiotic relationship was on display throughout the evening.
Ashwini performs with all the grace and beauty commonly associated with bharatanatyam, but she also brings a level of athleticism, ferocity and even a touch of mischief into her dancing. In “Pushpanjali, Manikya Veena, and Alarippu,” choreographed by bharatanatyam luminary Alarmél Valli (guru to all the Ramaswamys), Ashwini showed her maturity with the difficult choreography but as her eyes darted side to side playfully she also demonstrated the extraordinary physical control required of her craft.
Ashwini also shared her lyrical side in “Bho Shambho” and “Alaipayuthe” (both choreographed by Valli). During the former she covered the stage with her joyful steps in celebration of the Hindu deity Shiva while the latter was marked with moments of stillness.
The evening concluded with Ashwini’s own creation, “Thillana,” which showed her light-hearted side in full effect. Dancing with confidence, joy and, always, control, Ashwini delivered a complex and exciting work that perfectly reflects her outgoing personality. It is always special to see an artist coming into her own. The standing ovation Ashwini received was a fitting salute to all of her hard work.
James Bakkom of Minneapolis has won the USITT's top award for a lifetime of creativity.
Artist and set designer James Bakkom was working with found objects before found objects were cool -- and he proceeded to make them cool. Bakkom, who did set design for the Guthrie Theater from 1964 to '74, became known for his "Garbage to Grandeur" workshops in which he taught designers on a budget how to recycle free and low-cost materials into fabulous props costumes and scenery. He went on to teach at several universities and do freelance design projects for theater, television adn corporate clients.
This year the United States Institute of Theatre Technology is marking Bakkom's many-faceted career with its top honor, the USITT award, to be presented at its annual conference in Forth Worth Texas, in late March.
More recently Bakkom, 76, has focused on painting and sculpture, including a "Scarecrow" series that can be seen on his website, jamesrbakkom.com. Minneapolis filmmaker Mark Wojahn made a documentary about Bakkom, "Getting Lost in My Own Art," in 2009.
Though he was diagnosed last year with Parkinson's disease, Bakkom told broadwayworld.com that he plans to attend the USITT conference.
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