Welcome to Artcetera. Arts-and-entertainment writers and critics post movie news, concert updates, people items, video, photos and more. Share your views. Check it daily. Remain in the know. Contributors: Mary Abbe, Aimee Blanchette, Jon Bream, Tim Campbell, Colin Covert, Laurie Hertzel, Tom Horgen, Neal Justin, Claude Peck, Rohan Preston, Chris Riemenschneider, Graydon Royce, Randy Salas and Kristin Tillotson.
The Textile Center in Minneapolis has hired Karl Reichert as its new executive director starting November 17. He has done no prior work with in textile arts, but brings substantial management experience to his new post.
Reichert is currently director of the Capri Theater, a 250 seat arts-event space owned and operated by the Plymouth Christian Youth Center in North Minneapolis. The theater, which was renovated in 2009, stages music, film and theater performances as well as community forums. It presents a popular jazz series and diverse programs ranging from hip hop performances to Saint Paul Chamber Orchestra concerts.
"Everything we learned about him made us think he will be a good new executive director" for the Textile Center, said Donna Peterson, president of the fiber organization.
Peterson cited Reichert's experience in financial management, fund raising, development, artistic programming and "motivation of young people and artists" as key qualifications for the new post.
"He's had a ton of experience in the arts community, and we think he can quickly learn the specifics of textiles," said Peterson. "We wanted a manager who can help us with raising money and reaching the public as we develop programs and go into the future."
Prior to the Capri, where he has worked for nearly eight years, Reichert was a marketing and public relations consultant. He was fund raising director for R.T. Rybak's 2001 mayoral campaign, and was director of public affairs at the Minnesota Orchestral Association from 1992 to 2000.
At the Textile Center, Reichert follows Tim Fleming who resigned in March after two years in the post.
Founded in 1994, the Textile Center at 3000 University Av. S.E., Minneapolis, is a nationally known center for fiber arts ranging from weaving and fabric-dying to knitting, lace-making and batik. Its $800,000 annual budget supports a staff of 14 full- and part-time employees, an exhibition gallery, classrooms, a library and a small shop selling artisanal textiles.
The Minnesota Marine Art Museum in Winona has added a 5,000 sq. ft. gallery and loans of eight new paintings to its already impressive collection of water-themed art. The new Richard and Jane Manoogian Gallery will officially open to the public Sunday, Sept. 28.
The new paintings include images by English landscape master John Constable (1776-1837), German Expressionist Max Beckmann (1884-1950), American Modernist Stuart Davis (1892-1964), and the romantic American naturalist Martin Johnson Heade (1819-1904) whose "View from Fern-Tree Walk," (1887), above, is a star addition. The pictures are on loan from the museum's founders Robert "Bob" Kierlin and his wife Mary Burrichter.
Detroit-native Richard Manoogian, a prominent collector of American art, is heir to a faucet-manufacturing fortune derived from Masco Corporation which was founded by his father. With support from a foundation established by the Manoogians, the Winona museum added a gallery that will primarily house paintings from its collection and long-term loans of Hudson River School, French and American Impressionist, and European and American modernist paintings.
(10 a.m.-5 p.m., Tues.-Sun., $7 adults. Minnesota Marine Art Museum, 800 Riverview Dr., Winona. 1-507-474-6626 or 1-866-940-6626 toll free; or www.mmaam.org)
The Minneapolis Institute of Arts has hired Jill Ahlberg Yohe to be Assistant Curator of Native American Art in the department of Africa and the Americas. Ahlberg Yohe, who will start work in Minneapolis on August 4, comes from the Saint Louis Art Museum where she has been an assistant curator of Native American Art since 2013 and a Mellon Fellow since 2011. She replaces Joe Horse-Capture, former associate curator of Native American Art, who moved to Washington, D. C. in May 2013 for a post at the National Museum of the American Indian.
Ahlberg Yohe earned a doctorate in cultural anthropology at the University of New Mexico with a dissertation on "The Social Life of Weaving in Contemporary Navaho Life." Previously she was a visiting assistant professor of anthropology at Franklin and Marshall College, Lancaster, PA. She co-curated the exhibition "Mother Earth, Father Sky: Textiles from the Navajo World," which is currently on view at the St. Louis Art Museum.
A MCAD staff member finished installing the last McKnight Foundation visual art exhibition in January 2014. Star Tribune staff photo by Richard Sennott
Eight Minnesota visual artists have received $25,000 each from the McKnight Foundation in a program administered by the Minneapolis College of Art and Design (MCAD). The winners are: David Bowen of Duluth, and Sam Gould, Alexa Horochowski, Michael Hoyt, Alison Malone, Lamar Peterson, Joe Smith, and Tetsuya Hamada, all Twin Cities residents.
A support program for mid-career artists, the McKnight Artist Fellowships for Visual Artists provides each winner with three things besides the money: critiques with national critics; a limited edition book about their work; a speaking opportunity. The public exhibitions that were an element of the program for 32 years were discontinued this year in favor of the book/talk component. When the exhibitions were cancelled, the number of visual art grants also was increased from four to eight.
Five of the 2014/15 Fellowship winners are academics. Bowden is an associate professor of sculpture and computing at the University of Minnesota, Duluth. Horochowski is a sculpture professor at St. Cloud State University. Smith is an art professor at University of Northwestern in St. Paul. Peterson, an assistant professor of drawing and painting, and Yamada, an associate professor of art, both teach at the University of Minnesota's Twin Cities campus.
The other three winners are engaged in various activities. Gould is a writer/ publisher who co-founded Red 76 and is the editor/designer of the Journal of Radical Shimming. Hoyt produces arts-based community development projects. Malone is a photographer who documents American subcultures.
Fellowship winners were picked by three jurors: Xandra Eden, exhibition curator at the Weatherspoon Art Museum, University of North Carolina, Greensboro; Hesse McGraw, vice-president of exhibitions at the San Francisco Art Institute; and Deborah Willis, artist, professor and chair of the Department of Photography & Imaging at the Tisch Center for the Arts at New York University.
Everybody loves Henri Matisse, the French artist whose life-sized cardboard likeness points the way to his namesake exhibition, "Matisse: Masterworks from the Baltimore Museum of Art" in hallways and lobbies throughout the Minneapolis Institute of Arts. The show has proved to be so popular that the museum has extended the exhibition's hours until 9 p.m. on Friday, May 9; Saturday, May 10, and Friday, May 16.
The show ends Sunday, May 18 which means there are only 12 more days to see it. So, for the record, it will be open as follows: 10 a.m. - 5 p.m. Tuesdays, Wednesdays, and Saturday, May 17; 11 a.m. - 5 p.m. Sundays; 10 a.m.-9 p.m. Thursdays, Fridays and on Saturday, May 10.
Tickets are $18 weekdays, $20 weekends and can be reserved at www.artsmia.org or by calling 612-870-3000 or toll-free at 888-642-2787. Tickets may be sold out at peak times and on weekends.
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