Welcome to Artcetera. Arts-and-entertainment writers and critics post movie news, concert updates, people items, video, photos and more. Share your views. Check it daily. Remain in the know. Contributors: Mary Abbe, Jon Bream, Tim Campbell, Colin Covert, Laurie Hertzel, Tom Horgen, Neal Justin, Claude Peck, Rohan Preston, Chris Riemenschneider, Graydon Royce, Randy Salas and Kristin Tillotson.
Kia Corthron, a playwright of lyrical language and hard subjects who has been associated with the Children's Theatre and Penumbra in the Twin Cities, has won a Windham Campbell Prize, Yale University announced on Friday.
The honor, administered by the university, comes with a $150,000 purse.
Corthron, a writer who uses fierce and lyrical language to tackle tough subjects, is best known for "Breath, Boom," "The Venus de Milo is Armed" and "Splash Hatch on the E Going Down," a play about environmental degradation.
She also has written for the television shows "The Wire" and "The Jury."
Corthron wrote "Snapshot Silhouettes" for the Children's Theatre, a drama about tensions between African-American and Somali students that played in 2004.
Corthron also has been commissioned by the Guthrie Theater.
The playwright, who is American, is one of eight writers named as winners of the Windham Campbell Prize, which awarded a total of $1.2 million Friday.
The others are dramatists Sam Holcroft of Britain and Noëlle Janaczewska of Australia; fiction writers Nadeem Aslam of Pakistan, Jim Crace of the United Kingdom and Aminatta Forna of Sierra Leone; and nonfiction writers Pankaj Mishra of India and John Vaillant, who is Canadian-American.
All nine movies up for a Best Picture at the Oscars on Sunday night got 4-star reviews from Star Tribune movie critic Colin Covert, except for "Dallas Buyers Club" and "Her," which each received 3.5-star ratings. Click titles below to read Covert's original reviews. Complete Oscars coverage is here. Best Picture poll is here.
Minneapolis film producer William Pohlad had a fine night at Sunday’s 62nd Annual British Academy Film Awards. His weighty historical drama “12 Years A Slave” took the best picture prize. Its star Chiwetel Ejiofor was named best actor.
"We’re honored '12 Years A Slave' received best picture from the BAFTAs,” Pohlad commented Monday. “This kind of bold storytelling is always what interests [Pohlad’s production company] River Road and for it to be embraced and championed in this way is incredibly gratifying. Producing a film like this alongside [Brad Pitt’s company] Plan B, with the vision of [director] Steve McQueen and the affecting performances by a remarkable cast was a humbling experience and one we’re proud to have had a guiding hand in.”
It was a night of celebration as well for Minneapolis actor Barkhad Abdi, who won best supporting actor for his turn as a Somali pirate in “Captain Phillips.”
It’s not clear whether these wins boosted the Minnesotans’ odds of winning an Academy Award. In the last 30 years, the BAFTA best picture winner matched the Oscar winner 40 percent of the time. The best supporting actor went on to accept the Academy Award 26 percent of the time. Jared Leto, the clear Oscar favorite in that category, was not nominated for the BAFTA.
MIMMI, an interactive sculpture lit from inside by LED lights that changed color, won the 2013 Creative City Challenge in the program's first year. Photo by Renee Jones Schneider.
Remember that giant multicolored UFO-like sculpture hovering over the plaza by the Minneapolis Convention Center last summer? The city is bringing back the program that made it possible, expanding funding for the winning entry from $50,000 to $75,000. They've also added a partner, Northern Lights.mn, the force behind the annual dusk-to-dawn outdoor arts extravaganza known as Nothern Spark, at which this year's winning public artwork will make its debut (June 14).
The Creative City Challenge competition for a "temporary destination artwork" was launched last year as a way of attracting more people to hang out on the plaza, actually a green roof across the street from the Convention Center. It is open to individuals or teams of designers, artists, architects and engineers, but at least half of the members must be based in Minnesota.
The public can vote online for one of this year's jury-selected finalists, all of which encourage interactivity. The proposals will be presented publicly at the University of Minnesota's School of Architecture and Design, Rapson Hall at 6 p.m. tonight (Monday Feb. 10). They are:
Voting runs through Feb. 28 at http://www.startribune.com/a2560
James Bakkom of Minneapolis has won the USITT's top award for a lifetime of creativity.
Artist and set designer James Bakkom was working with found objects before found objects were cool -- and he proceeded to make them cool. Bakkom, who did set design for the Guthrie Theater from 1964 to '74, became known for his "Garbage to Grandeur" workshops in which he taught designers on a budget how to recycle free and low-cost materials into fabulous props costumes and scenery. He went on to teach at several universities and do freelance design projects for theater, television adn corporate clients.
This year the United States Institute of Theatre Technology is marking Bakkom's many-faceted career with its top honor, the USITT award, to be presented at its annual conference in Forth Worth Texas, in late March.
More recently Bakkom, 76, has focused on painting and sculpture, including a "Scarecrow" series that can be seen on his website, jamesrbakkom.com. Minneapolis filmmaker Mark Wojahn made a documentary about Bakkom, "Getting Lost in My Own Art," in 2009.
Though he was diagnosed last year with Parkinson's disease, Bakkom told broadwayworld.com that he plans to attend the USITT conference.
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