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Garrison Keillor reports he is "feeling good" after surgery Thursday at Mayo Clinic in Rochester.
"The IV went in and night fell and a couple hours later I woke in Recovery, no fuss, with a very pleasant nurse who gave me some ice to chew on and we chatted like old pals and at noon I got wheeled up to my room for a lovely lunch of vegetable broth, coffee, cranberry juice, and orange Jell-O," he posted on Facebook.
The Minnesota writer and "Prairie Home Companion" host has not disclosed the precise nature of the procedure, but earlier this month when he announced he was canceling Saturday's "PHC," he wrote: "If you've noticed my upstairs bathroom light go on at 10 p.m., 10:10, 10:25, 10:40, etc., you know all you need to know."
No word on when he'll leave the hospital. In his Facebook post he joked, "The Scot in me says, 'you will pay for this someday' and maybe so but meanwhile I am having a very good day, made all the better by a funny phone call from my daughter. Who reminded me that long ago in this hospital coming out of a tonsillectomy she stuck her tongue out at me. Despite anesthesia she remembered that I was the Judas who took her into the OR."
Keillor, 72, is scheduled to return to the Fitzgerald Theater stage Oct. 4 for a "Prairie Home" show featuring bluegrassers the Gibson Brothers and local singer/songwriter Ellis.
But don't be surprised if he makes an appearance this weekend at the History Theater in St. Paul, where his playwriting debut, "Radio Man," opens Saturday night.
(In the photo at right, Keillor clowned with actor Pearce Bunting, who plays his alter ego in "Radio Man," during a rehearsal earlier this month. The play has a preview staging Friday night.)
P.S. After this was posted, a friend shared a letter to the Anoka County Union that Keillor wrote two weeks ago after an outing to his old high school. It's quite sweet:
To the Editor:
Last Friday, I drove up to Anoka for the Anoka-Coon Rapids football game and sat in the bleachers about 10 feet below the pressbox where, as a 14-year-old kid, I sat and wrote up the games for the Anoka Herald.
Goodrich Field looks so much the same as it did back then and off to my right was a student cheering section, about 300 strong, distinguished by wearing odds and ends of white, white shirts, headbands, caps, one boy in a white off-the-shoulder toga, tossing white streamers, setting off white smoke bombs – a solid block of high spirited goofiness and tumult and swaying and dancing in the stands – in their whiteness, the opposite of goth, more like moths fluttering at a porch light, and so utterly different from the self-conscious solemnity of the Fifties teenager. I know alcohol and this was not alcohol: this was joy and humor and hormones. The band got to play the Fight Song a couple times and I joined the throng in the end zone and the game ended, Anoka up 14-6, and the kids in white bolted for the field and a huge mash-up of bodies at midfield, arms in the air, chanting the Fight Song, and then headed for the exits, a river of youth with a happy alumnus of 72 in their midst. If these folks represent what it’s like to be young now, I am all in favor of it.
A joyful September night in my old town and the downtown cafes crowded and my old stately junior high standing big and proud on Second Avenue, where my dad graduated in 1931. Go, Tornadoes.
Garrison Keillor, St. Paul
As host of “A Prairie Home Companion,” writer Garrison Keillor works up to the Saturday performance deadline, tinkering with his script. Playwright Garrison Keillor knows that will not work in the theater – although he’s pushing things as far as he can with “Radio Man,” at the History Theatre in St. Paul.
Keillor delivered a significant rewrite on Wednesday. An aide delivered the copy to director Ron Peluso, who leafed through a few pages and muttered something about “having a heart attack.” But he put on his best smiling face when the playwright arrived at rehearsal for the show, which opens Sept. 27.
"You've been busy," Peluso joked when Keillor arrived at rehearsal a little later. In an interview, Keillor said he felt he owed it to the actors to be finished with the script by Saturday – which coincidentally is the opening show of the 40th annniversary season of “A Prairie Home Companion.”
Keillor mentioned this Saturday deadline to Peluso as they walked into the rehearsal hall after a break. “Saturday? I was thinking maybe tomorrow,” the director said. They agreed on Friday and then got back to work.
In what may seem like an odd pairing, James Sewell of the Minneapolis-based Sewell Ballet is working with veteran documentary filmmaker Frederick Wiseman on a new ballet based on an old Wiseman movie.
Wiseman's 1967 "Titicut Follies" documented the residents and inmates at Bridgewater State Hospital for the Criminally Insane in Bridgewater, Mass.
This early Wiseman documentary ignited controversy when state authorities sought to prevent its release, saying it violated inmates' privacy. The legal case rolled through various jurisdictions, but the film was withheld from distribution for years. Wiseman went on to wide fame for his fly-on-the-wall documentaries on a variety of subjects, including high-school life, meat, public housing, boxing and, in two movies, the world of dance.
Fast forward to 2014, when a new Center for Ballet and the Arts is set to open at New York University. Wiseman is among the center's first group of fellows. He announced this week that as part of that fellowship he is planning a ballet based on the film, to be created by choreographer Sewell.
Sewell said Wednesday that he and Wiseman have been talking by phone about the project this summer, and that Wiseman is due in Minneapolis later in September for meetings and in-studio improvisation. Wiseman is a "visionary," Sewell said, "and it extends beyond his medium. We've synthesized how our worlds can connect."
Sewell said the ballet, which may retain the movie's title, is likely to require 10 male dancers, as well as other characters to potray the state hospital's doctors and nurses. Likely to premiere in Minneapolis about two years from now, the ballet will include music and possibly video from the original film, Sewell said.
"When I first saw the film -- so intense, so strange -- I thought, 'how could you make a ballet of this?' But the elements are all there -- humorous, poetic, horrifying, sad," Sewell said.
The movie's title comes from an annual variety show that Bridgewater officials and inmates staged at the hospital. "These violent criminals and mentally ill inmates would put on a show, singing Gershwin with pom-poms in their hands," Sewell said.
While funding and other details remain to be worked out, Sewell said he "could not be happier" about this collaboration, which "dropped in my lap." He hopes to find a way, in dance, to portray "the inner landscape" of the often abused, catatonic or disruptive Bridgewater population.
Wiseman, 84, just won the Golden Lion Career Award at the Venice Film Festival.
If you have 30 minutes to spare, check out “Theater People,” a web series created by Matthew Anderson. He wrote, directed and edited ten episodes about the drama behind drama. It’s all locally made – which is important these days, right? At least when it comes to garden produce.
Anderson had toiled for many years in the Twin Cities theater market and then took a stab at Los Angeles. He came back but has put his energy behind a camera. The concept here is just to lampoon the quirks and tics of theater life. But it all feels friendly and cheeky as it lands its punches – kind of like Kate Wetherhead’s “Submissions Only.”
Theaters, private homes and public streets provide cost-free locations and the actors in “Theater People” are doing it mostly for fun.
And it is fun. Stacia Rice and Steve Sweere play former spouses who still run Theatre Unhinged. Sweere is an aging lothario auditioning potential Juliets to his Romeo – but really just trying to make out with young women. Rice’s character watches with simmering but controlled rage. In another scenario, Mark Mattison does a florid and pompous director crafting an original production that he is says is based on the work of Aleister Crowley. Jane Froiland, Jen Rand, Matt Sciple, Katie Willer and Sara Marsh all contribute.
There are ten episodes on the web site, each about eight minutes long. Anderson would like to put together another season and is hoping for some real funding this time. It’s definitely worth having a look and supporting.
Minnesota artist Andrea Stanislav's "Nightmare" video of a white horse galloping on water was hobbled by technical problems in 2011 when the University of Minnesota associate professor planned to show the video as part of that summer's Northern Spark festival in the Twin Cities.
On July 25-26, 2014, however, Stanislav's magical illusion was a success in St. Petersburg, Russia under the aegis of Manifesta 10 Parallel Projects. There the full-scale white horse appeared on a video screen that was pulled on a barge along the Neva River, past the State Hermitage Museum, and through some 30 kilometer's of the city's canals.
Russian media loved the project and covered it in more than 60 print publications, 10 television stations and three radio outlets, Stanislav said. Thousands of people stayed up as late as 2 a.m. to view the horse from river embankments throughout the city.
"We were planning on performing 'Nightmare" on the Moscow River on September 19 in conjunction with the Moscow Art Fair," Stanislav said in an email. But that and another Moscow plan "is hostage to the current international situation and on hold."
Meanwhile she's working to present "Nightmare" in New York next year.
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