Welcome to Artcetera. Arts-and-entertainment writers and critics post movie news, concert updates, people items, video, photos and more. Share your views. Check it daily. Remain in the know. Contributors: Mary Abbe, Aimee Blanchette, Jon Bream, Tim Campbell, Colin Covert, Laurie Hertzel, Tom Horgen, Neal Justin, Claude Peck, Rohan Preston, Chris Riemenschneider, Graydon Royce, Randy Salas and Kristin Tillotson.

Posts about Minnesota artists

Patrick Scully's Walt Whitman show premieres

Posted by: Claude Peck Updated: July 11, 2014 - 1:06 PM

Patrick Scully poses as poet Walt Whitman. Star Tribune photo by Jeff Wheeler.

POST BY CAROLINE PALMER, SPECIAL TO THE STAR TRIBUNE

Sometimes the best way to learn about an artist is through the perspective of another artist. With  “Leaves of Grass – Uncut” Patrick Scully summons  the radical spirit of 19th-century poet Walt Whitman. Over the course of the show, which had its first performance Thursday night as part of the Fresh Ink Series at the Illusion Theater, we learn that the two men have much in common when it comes to defying rules and embracing life.

Scully assumes the role of Whitman, talking through his life story, railing against the puritan morals of his day, lauding the love of other men, extolling his contemporaries (Ralph Waldo Emerson, Oscar Wilde) and reading excerpts from his works. Whitman, as portrayed by Scully, is a confident man who explains how he would code his language to escape the wrath of a rabidly homophobic society. Despite these efforts, Whitman’s works were banned and critics were quick to denounce him with their harshest words, which is hard to imagine today given the significant influence and great beauty of his writing.

But Whitman was undeterred by these obstacles, which explains why he is such a hero to Scully, a proud rabble-rouser himself. With “Leaves of Grass – Uncut” Scully creates an onstage world that Whitman would have appreciated. Seventeen men dance together in tender, sensual and playful moments. In the opening scene they strip down entirely to bathe, setting the tone for an evening about relationships between men and how society has sought to deny them.

The movement itself is based in contact improvisation, which emphasizes the intuitive give and take of dancing with another person. Scully’s company members take great care to support and inspire one another. Kevin Kortan makes an appearance as Whitman’s lover Peter Doyle and in one of the work’s more poignant moments they discuss the poet’s refusal to use the pronoun “he” (instead using “she”) in his writing to describe their passionate relationship. Scully shows us that Whitman wasn’t always so bold.

The Fresh Ink series provides opportunities for artists to try out new ideas. Scully still has some work to do with tightening up the production – there are a couple of false endings – but it is a heartfelt salute to Whitman. Without this daring poet’s soaring words and his willingness to take risks in a hostile era, we may never know what it means to “sing the body electric.” Scully is the perfect caretaker for Whitman’s legacy.

“Leaves of Grass – Uncut” continues through Sunday, July 13 (8 p.m. Fri.-Sat., 7 p.m. Sun). Illusion Theatre, Cowles Center, eighth floor, 528 Hennepin Av. S., Mpls. $14-$19, 612-339-4944 or illusiontheater.org.

Dancing through a mansion

Posted by: Claude Peck Updated: June 25, 2014 - 4:18 PM
The performers of "KOM HIT!" gather near the end of the piece for an ensemble scene in the Turnblad mansion's small top-floor theater. Photo provided by American Swedish Institute.
 
A young woman, barefoot and wearing all white, invokes the spirit of Sweden's literary hero August Strindberg, then opens the heavy wooden doors of the Turnblad mansion on Park Avenue in Minneapolis to begin "KOM HIT!" In the hour that follows, audience members (no more than 35 will be allowed at each performance) poke their heads into nearly all of the mansion's 33 rooms, where they witness snippets of modern dance, mime, music and a small amount of narration. Don't expect to learn much about Strindberg, as the dance-theater piece is "loosely inspired by," and not directly drawn from his life and obsessions.

While immersive, site-specific dance-theater has been popular in New York and elsewhere for several years, as evidenced by such long-running shows as "Sleep No More" by Punchdrunk Theater, it is more rarely seen in the Twin Cities.

In "KOM HIT!" Audience members, who are encouraged to wear stick-on moustaches a la Strindberg, may wander freely from room to room, up staircases and into hallways. You may be invited into a room for a solo performance by a singer playing electric guitar, or witness a thrashing dancer in a "mad scene" through the window of a what looks like a walk-in closet.

Here a woman gazes at her reflection in a mirror, there a teenaged girl plays electric bass with an angel-wing-wearing guy on the accordion. Feathers drop into the foyer from above. A sad creature writhes alone on a bare wood floor.

The troupe numbers more than 14 performers, but co-creators Sally Rousse and Noah Bremer are showcased in certain "episodes," including a group scene in the American Swedish Institute's top floor that involves posing for photographs and passing through a large picture frame. Well-known Ballet of the Dolls dancer Stephanie Fellner gets a lot to do, and does it well. In the end, however, the piece is more about mood and movement, perhaps the ephemeral nature of souls and old houses, than it is a coherent narrative.

See "KOM HIT!" at 6 and 7:30 p.m. on June 26 and July 1, 3, 8 and 10. $20, 612-871-43907, or go here.

Dancers in a room that also has a visual art exhibit on view. Photo by Claude Peck.

The performances are timed to the opening of a terrific small photo show in the new wing at ASI. Turns out old August S. was both a fashion hound and a fan of selfies (well before the term came into vogue, and almost at the dawn of photography itself). The photos of Strindberg come from Fotografiska, Sweden's preeminent photo museum.

 
 
Strindberg
 
"KOM HIT!" dancer on the rooftop of the new wing of the American Swedish Institute.
 
Dancer on the mansion's second floor.
 
Below, trailer for "KOM HIT"

Minnesota photographer James Crnkovich launches new book

Posted by: Mary Abbe Updated: June 23, 2014 - 5:20 PM

"Reds, Virginia, Minnesota, 1985" by James Crnkovich

Former Minnesota photographer James Crnkovich returns to his home state for a five-day tour to launch a sweet book of his photos. Starting with a signing at the Saint Paul Saints game on July 1, the tour will include additional stops in St. Paul, Aurora, Gilbert, Virginia and Mountain Iron.

A graduate of the University of Minnesota, Crnkovich has been featured on CBS's Sunday Morning with Charles Kuralt, has his work in the collection of the Minnesota Museum of American Art, and has exhibited around the world. Locally he's best known for his 1980s photos of the Iron Range which were included in the exhibition "At a Close Range," which traveled to colleges, universities and historical societies throughout the Midwest.

His new paperback, "Authentic Americana: The Art of Social Documentary," reprints about 50 of his color and black-and-white images dating from 1980 to the present. Taken in Minnesota, New York, Boston, Phoenix, Chicago and elsewhere, they capture the American scene in all its gaudy  vulgarity, latent violence, decay, cornball nonsense, and good humor. His commentary about the images is as insightful as the pictures themselves. There's a certain tenderness and big hearted acceptance of human frailty and loneliness that makes his photos very special.

Now a resident of Mesa, Arizona, Crnkovich will be back home in Minnesota to promote the book at the following events. The book also is available through: Naciketas Press, 715 E. McPherson, Kirksville, MO 63501.

July 1: 6 p.m.-10 p.m. Saint Paul Saints "Christmas in July" game, Midway Stadium, 1771 Energy Park Dr., St. Paul.

July 2: 7 p.m.-9 p.m., Common Good Books, Snelling at Grand, St. Paul.

July 3: 6 p.m., Aurora; 7 p.m., Gilbert. Patriotic Parades.

July 4: 1 p.m.-2 p.m. Aurora Public Library. 6 p.m. Virginia 4th of July parade.

July 5: 7 p.m.-9 p.m., Mac's Bar, 8881 Main St., Mountain Iron.

Edina one of 10 schools chosen for theater festival

Posted by: Graydon Royce Updated: June 17, 2014 - 1:03 PM

 

Edina High School's production of "Fiddler on the Roof." / Photo by Mike Braun

 

More than 100 theater kids from Edina High School are heading to the Educational Theater Association’s “Thespian Festival” in Lincoln, Neb. The school is one of ten nationally chosen to perform at the annual conference at the Lied Center of the Performing Arts.

Anthony Matthes, Edina’s director of theater, said the school was one of about 70 that requested a look from the Association. Edina staged “Fiddler on the Roof” last fall and judges came to evaluate whether it should make the festival. Notice came in January that the school had passed the audition, so to speak. Three years ago, Edina brought “Anything Goes” to the same event.

“We designed ‘Fiddler’ with the thought that we would take it on the road so we stored the set over the winter,” Matthes said.

Edina will send 54 actors, 25 crew members and about 25 musicians to the festival, at a cost of $770 per student.

“We’re about the only school that brings its own pit band,” Matthes said. The school has been fundraising since last fall and plans two performances June 19-20 to get the show in shape and raise some final cash.

You can get ticket information at Edinatheater.org

Playwrights' Center announces McKnight Theater Artists

Posted by: Graydon Royce Updated: June 12, 2014 - 10:27 AM

The Playwrights’ Center has named Sally Wingert, Austene Van and Mathew LeFebvre as McKnight Theater Artists. The award comes with $25,000 and also provides $7,000 to develop new theatrical work.

Wingert has worked on Twin Cities stages for more than 30 years. In 2013, she was selected the Star Tribune’s Artist of the Year. She’s most often seen at the Guthrie Theater but has made significant contributions such as her performance in Theater Latte Da’s “Cabaret” in January and a leading role in Dark and Stormy’s small production of “The Receptionist” in December.

Van has worked as an actor, director and choreographer. She found her footing at Penumbra under Lou Bellamy and was seen there in “Spunk” last year. Van performed the title role in Latte Da’s “Aida” in 2013 and was Blanche Dubois in Ten Thousand Things’ staging of “A Street Car Named Desire.” She’s directed at Park Square, History Theatre and Theatre in the Round.

LeFebvre has designed costumes for more than 20 productions at the Guthrie and 15 at Penumbra – in addition to many other Twin Cities companies. His credits include shows at Signature Theatre in New York, Milwaukee Rep, the Geffen Playhouse, Minnesota Opera and Arizona Theatre Company. LeFebvre teaches and directs at the University of Minnesota. Jeremy Cohen, producing artistic director at the Playwrights’ Center, said LeFebvre is the first costume designed honored with the McKnight Award since 1997.

Last year’s winners – Sun Mee Chomet, Denise Prosek and Stephen Yoakam – will showcase their works in progress Monday at the Southern Theater.

ADVERTISEMENT

Connect with twitterConnect with facebookConnect with Google+Connect with PinterestConnect with PinterestConnect with RssfeedConnect with email newsletters

ADVERTISEMENT

ADVERTISEMENT