Welcome to Artcetera. Arts-and-entertainment writers and critics post movie news, concert updates, people items, video, photos and more. Share your views. Check it daily. Remain in the know. Contributors: Mary Abbe, Jon Bream, Tim Campbell, Colin Covert, Laurie Hertzel, Tom Horgen, Neal Justin, Claude Peck, Rohan Preston, Chris Riemenschneider, Graydon Royce, Randy Salas and Kristin Tillotson.
Kyle Fokken took first place honors for his mixed media sculpture "Fokko."
Members of the Society of Minnesota Sculptors turned out for the opening of an exhibit of art by their colleagues at the Minnetonka Center for the Arts, on view through April 3. The society's 85 members are an eclectic lot whose work typically tends toward whimsical, figurative or abstract pieces in wire, bronze, ceramic or mixed media.
Jurors Sally Johnson of Groveland Gallery and Holly Streekstra of Minneapolis College of Art and Design presented ribbon awards to: Kyle Fokken for "Fokko," a mixed media sculpture that took first place; Richards Poey for "Let's Tango, a bronze sculpture in second place; and Kate Chrisopher, whose ceramic bust, "My Vanishing Illusion," took third place.
Honorable mentions went to Thomas Zahn for his bronze "Solo Dance," Carl A. Smith III, for a wire sculpture, "My Eyes are Here," and Norman Holen for his stoneware piece, "Man with an Owl Mask."
The society is also sponsoring a one-day workshop by Twin Cities area sculptor Foster Wiley, Jr. who will explain how to "Sculpt a Head in Clay." (10 a.m. - 5 p.m. March 15, Minnetonka Center for the Arts, 2240 Northshore Dr., Wayzata/ Orono. To register go here or call 952-473-7261, ext. 16)
Matisse's "Large Reclining Nude," 1935
Break out the berets and head over to the Minneapolis Institute of Arts for a free stroll through the popular "Matisse: Masterworks from the Baltimore Museum of Art," show. Adult tickets for the special exhibition are normally $16 weekdays, $20 weekends, but for one night it will be free. Tickets are timed and limited in number, however, so savvy art fans will arrive early for the 6 p.m.-9 p.m. event March 20.
For this "Third Thursday" program the museum is embracing all things French. The Alliance Francaise Mpls/St. Paul will offer informal French lessons in the galleries. Arty types can "draw with scissors" as Matisse did when nipping out his famous and very colorful cutouts of dancers cavorting in space. Museum visitors will be encouraged to confine their cutouts to post cards or collages, however.
And everyone will be encouraged to indulge in a selfie with a life-sized cutout of Matisse in the MIA photobooth. Or visitors can take self-portraits in a life-sized replica of one of the artist's paintings. Music wiil be provided by the Atlantis Quartet, a modern jazz group.
The "Matisse" show features paintings and drawings from the collections of Claribel and Etta Cone, wealthy Victorian-era Baltimore women who were introduced to Matisse at the Paris salon of writer Gertrude Stein. Over 40 years, the sisters bought more than 500 paintings, drawings and sculpture by Matisse that they later bequeathed to the Baltimore Museum of Art. The Institute's show is on loan from the Baltimore institution through May 18.
Fionn Meade @ Guillermo Riveros
Walker Art Center has hired two new curators including a Senior Curator of Cross-Disciplinary Platforms, a new post designed to reflect the center's focus on artists who work in many fields ranging from film, video and music to dance and such stationary visual arts as painting, printmaking or photography. That post will be filled by Fionn Meade starting May 5.
Meade is presently a curator, writer and faculty member at the Center for Curatorial Studies at Bard College and Columbia University in New York City. His expertise is in film, performance and museum practice. He will also be Interim Head of the Walker's Visual Arts Department while a search continues for someone to replace Chief Curator Darsie Alexander who is leaving to become executive director of the Katonah Museum of Art in suburban New York City.
Meade's first task will be to oversee the presentation of Radical Presence, an exhibition about black performance in visual art from the 1960s to the present. One of his future shows will focus on the work of visual artists who collaborated with choreographer Merce Cunningham whose archive the Walker owns.
He previously worked as a curator at the Sculpture Center in New York City and at the Henry Art Gallery in Seattle. He has a M.A. degree in creative writing from Columbia and a M.A. from the Center for Curatorial Studies at Bard.
Isla Leaver-Yap, photo provided by Walker Art Center
The second appointee is Isla Leaver-Yap who will take the new post of Bentson Visiting Film Scholar starting March 3. Presently living in Glasgow, Scotland she is expected to do research on the Walker's Ruben/Bentson Film and Video Collection which has a high concentration of avant garde films dated from 1943 - 1985. She will report to Meade but also work closely with Sheryl Mousley, the Walker's film curator.
Leaver-Yap has extensive experience with film groups in London and New York. She has an MA in art history and English and a MSc in Art History Research from the University of Edinburg, Scotland.
Securian Financial Services, a St. Paul-based company, has given a three-piece Tony Smith sculpture to the University of Minnesota's Weisman Art Museum. The company commissioned the sculpture from Smith in 1979 for an indoor plaza at its then-new corporate headquarters at 6th St. and Robert in downtown St. Paul.
The company now has other plans for the plaza and so is giving the sculpture to the Weisman which owns 55 sculptures that are displayed on the grounds and in buildings throughout the University's Minneapolis and St. Paul campuses. The Smith piece will be installed this summer or fall on the plaza outside the McNamara Alumni Center on the University's East Bank Minneapolis campus.
Tony Smith (1912 - 1980) was an internationally known American artist whose sculptures are featured in public parks, museums and private collections throughout the United States. He envisioned the parts of the Securian commission scattered in the atrium "as if tossed like dice by the hand of a god."
Called "One, Two, Three," the sculpture consists of three abstract, geometric forms in graduating sizes. They were "based on Smith's concept of 'mathematical continuance,' in which each individual piece derived from the previous one," Securian said in a statement, adding that "the concept appealed to Securian, where math is integral to its financial services businesses."
Before the 2,700 pound steel sculpture is placed outside, its bronze-toned surface will be treated so it will not be damaged by exposure to rain, snow and other potentially damaging weather.
For an online tour of 25 of the Weisman's sculptures on the University campus, go here.
Olga Viso, Star Tribune staff photo by Tom Wallace
Walker Art Center's director Olga Viso will oversee the contemporary art center's curatorial affairs in the interim following the departure of Chief Curator Darsie Alexander who is leaving for a new post as executive director of the Katona Museum of Art in New York.
"All of us at the Walker are very excited about Darsie's new appointment and I am delighted to have a new colleague among the museum director ranks," Viso said in a statement. "I look forward to overseeing curatorial affairs at the Walker in the interim as we search for new curatorial talent for the team."
Trained as a curator, Viso has continued to organize exhibitions since taking the Walker post in 2008. Her book "Unseen Mendieta," about the pioneering feminist artist Ana Mendieta, was published the year she arrived in Minneapolis, and her exhibition "Guillermo Kuitca: Everything," opened in 2010. Next month she will open a new exhibition "Jim Hodges: Give More Than You Take," the first U.S.survey of the poetic sculptures and mixed media work of the American artist from whom the Walker commissioned a major outdoor sculpture in 2013.
The Walker's curatorial departments include visual art, performing arts and film.
Previously Viso served 13 years at the Hirshhorn Museum of Art in Washington, D.C., starting as an assistant curator and rising to be deputy director in 2003.
|Books (191)||Architecture (55)|
|Movies (187)||Music (2548)|
|Classical (237)||Theater (607)|
|Culture (291)||Minnesota History (30)|
|Tickets (365)||People (685)|
|Style (11)||Holidays (17)|
|Openings + closings (52)||Awards (230)|
|Behind the scenes (796)||Book news (107)|
|Casting news (69)||Celebrities (330)|
|Clubs (94)||Concert news (849)|
|Dance (126)||Design + Architechture (53)|
|Funding and grants (53)||Galleries (76)|
|Late-night TV (35)||Local TV and radio (185)|
|Minnesota artists (265)||Minnesota authors (86)|
|Minnesota musicians (966)||Museums (139)|
|Orchestras (110)||Red hot (60)|
|Seen elsewhere: Neat stuff (117)||Theaters (120)|
|Culture wars (28)||Entertainment (4)|
|Movies (238)||Television (456)|
|Art (265)||Photography (65)|
|Nightlife (237)||Comedy (1)|
|SXSW music festival (61)||Author events (2)|