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A MCAD staff member finished installing the last McKnight Foundation visual art exhibition in January 2014. Star Tribune staff photo by Richard Sennott
Eight Minnesota visual artists have received $25,000 each from the McKnight Foundation in a program administered by the Minneapolis College of Art and Design (MCAD). The winners are: David Bowen of Duluth, and Sam Gould, Alexa Horochowski, Michael Hoyt, Alison Malone, Lamar Peterson, Joe Smith, and Tetsuya Hamada, all Twin Cities residents.
A support program for mid-career artists, the McKnight Artist Fellowships for Visual Artists provides each winner with three things besides the money: critiques with national critics; a limited edition book about their work; a speaking opportunity. The public exhibitions that were an element of the program for 32 years were discontinued this year in favor of the book/talk component. When the exhibitions were cancelled, the number of visual art grants also was increased from four to eight.
Five of the 2014/15 Fellowship winners are academics. Bowden is an associate professor of sculpture and computing at the University of Minnesota, Duluth. Horochowski is a sculpture professor at St. Cloud State University. Smith is an art professor at University of Northwestern in St. Paul. Peterson, an assistant professor of drawing and painting, and Yamada, an associate professor of art, both teach at the University of Minnesota's Twin Cities campus.
The other three winners are engaged in various activities. Gould is a writer/ publisher who co-founded Red 76 and is the editor/designer of the Journal of Radical Shimming. Hoyt produces arts-based community development projects. Malone is a photographer who documents American subcultures.
Fellowship winners were picked by three jurors: Xandra Eden, exhibition curator at the Weatherspoon Art Museum, University of North Carolina, Greensboro; Hesse McGraw, vice-president of exhibitions at the San Francisco Art Institute; and Deborah Willis, artist, professor and chair of the Department of Photography & Imaging at the Tisch Center for the Arts at New York University.
The annual McKnight fellowships for dancers and choreographers were announced this week. Each midcareer artist receives $25,000.
The winning choreographers are Penelope Freeh, Wynn Fricke and Joanie Smith. The winning dancers are Sally Rousse, Kenna-Camara Cottman and Max Wirsing.
The dance fellows also can get funds to commission a choreographer of their choice to create a new solo work for them. The choreographer fellows are eligible to apply for additional support for a residency at one of four national partners.
The McKnight Fellowship winners are selected by a panel from submissions, and the program is administered by Northrop at the University of Minnesota.
Four Minnesota composers will get $25,000 each as winners of this year's McKnight Composition Fellowships. The fellowships are administered by St. Paul-based American Composers Forum. They were selected from 63 applicants. The judges for this year's selections were composers Amir ElSaffar (New York, N.Y.), Stacy Garrop (Chicago, Ill.) and Daniel Trueman (Princeton, N.J.) The 2014 winners are:
Alex Freeman, who teaches at Carleton College in Northfield, Minn. and has written and recorded chamber, choral and piano works.
Jocelyn Hagen, of Minneapolis, who was a longtime composer-in-residence for The Singers, and is now composer-in-residence at North Dakota State University in Fargo.
Michelle Kinney, of Golden Valley, a cellist and composer who is Musician in Residence at the University of Minnesota's Dance Program and a member of the quartet Jelloslave.
George Maurer, of Minneapolis, a composer and jazz pianist whose work has been performed by orchestras, ballet troupes, jazz ensembles and musical-theater producers.
Another McKnight program awards $15,000 each to two artists from outside Minnesota to spend two months or more in the state working on projects. Robin Eschner of Forestville, Calif., will produce a song cycle related to the the John Beargrease Sled Dog Marathon in northern Minnesota, and Pamela Z of San Francisco will compose a work focusing on Minnesota "farm-to-table" movement as it goes from farms to farmer's markets and restaurants.
The McKnight Foundation, founded in 1953, contributes about $1.7 million each year to individual artists via fellowships and other programs. American Composers Forum, founded in 1973 as Minnesota Composers Forum, has a worldwide membership of 1,700 artists, organizations and community members.
Kelly Nathe, producer
Documentary-filmmakers Norah Shapiro and Kelly Nathe have won a Legacy-funded grant from the Minnesota Film & TV Board for a film on the colorful moonshine-making history of Nathe’s home turf, Stearns County. The doc will trace the Prohibition-era activities of Depression-devastated farmers who turned to hustling illegal booze as well as look at the current revival of spirits made from the “Minnesota 13” heirloom corn being used by the Eleven Wells distillery located in the old Hamm’s Brewery in St. Paul. “We just got to taste some fresh-off-the-still hooch there, and it was yummy,” said Nathe. The grant, which will amount to about $40,000 in reimbursements intended to help cover pre-production costs, is very rare and very welcome because “it’s nearly impossible to raise money for a feature documentary before you’ve begun filming,” she told I.W. “It’s also a tremendous stamp of approval that hopefully helps attract other funders.” Filmmaker Michael McIntee also won a grant from Minnesota Film & TV for his work-in-progress on the fight for marriage equality in Minnesota.
Norah Shapiro, producer/director
Textile Center image by Star Tribune staff photographer Bruce Bisping
The Textile Center of Minnesota has hired management consultant Nancy Lee as interim director, a post she is expected to retain for about six months while the organization seeks a permanent leader.
"She's a perfect fit for what we need right now," said Donna C. Peterson, president of the Textile Center's 12 member board. Peterson is a former associate vice president of government and community relations at the University of Minnesota.
As a consultant, Lee specializes in non-profit management and the development of strategic business plans. She is a former CFO of Minnesota Goodwill and Easter Seals, and a former vice president of the Minnesota Children's Museum.
Lee began work at the Textile Center April 28th. Over the next few months she is expected to oversee the Center's ongoing operations and to assist the board in defining the organizational qualities and expertise needed to run the organization. The difficulty is striking a balance between management skills and knowledge of an artform that encompasses everything from historic rugs to contemporary art clothes.
"We're taking our time to really understand what are strengths and capacitiy are, and to define the profile of our members and potential funders" Peterson said.
The Textile Center is an umbrella organization whose members are professsional and amateur arists engaged in textile crafts ranging from weaving to lace making, batik, knitting, crochetting, custom tailoring, hand dying and doll making.
The non profit organization at 3000 University Av S. E., near the University of Minnesota's Minneapolis campus, has a staff of 14 full and part-time employees and an annual budget of about $800,000. It runs an exhibition gallery and a small shop selling handmade clothing, accessories and textile-related crafts. Its professional services include a library and facilities for dying and weaving textiles, classrooms and meeting spaces for school kids and adults.
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