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Donald Jackson photo provided by Concordia University
Officially known as scribe and calligrapher to the Crown Office of the United Kingdom of Great Britain and Northern Ireland, Donald Jackson is more familiar in Minnesota as the founder and creative force behind The Saint John's Bible, the first handwritten Bible produced in the past 500 years which was commissioned by and produced for St. John's University in Collegeville, MN.
Jackson will be in the Twin Cities for a presentation at Concordia University in Saint Paul from 7 p.m. - 8:45 p.m. February 12 at the Buetow Music Center Auditorium (Hamline and Marshall Av.). The event is free and seating in the 480 seat auditorium will be on a first-come first seated basis. Expect it to be packed early.
The University is hosting an exhibition of the seven-volume "Heritage Edition" of The Saint John's Bible through the month of February with two of the volumes on view through July 2015. The Heritage Edition is a facsimile of the handwritten version that Jackson and an international team of calligraphers worked on for more than a decade. The free exhibition is on display in Concordia's Library Technology Center at 1282 Concordia Av., Saint Paul. Exhibit hours: 10 a.m.- 7 p.m. Mondays through Thursdays; 10 a.m. -3 p.m. Fridays; 10 a.m.-2 p.m. Saturdays; 1 p.m. -7 p.m. Sundays.
After decades spent studying, researching and writing books about the history of world religions, British author Karen Armstrong (pictured) appears to have arrived at a stunningly simple resolution: follow the Golden Rule.
In her new book, "Fields of Blood," Armstrong zeros in on myths and reality surrounding the role of religion in the history of warfare and violence.
With ISIS in the news, interviewer Kerri Miller of MPR asked Armstrong about the situation in Syria and Iraq, and the perception in the West that the violent leaders of ISIS are motivated mainly by their Muslim faith.
"First off, it is a mistake to think that all ISIS fighters are devout jihadists," Armstrong said. "Many are secular" militia, including troops left over from Saddam Hussein's armed guard. She said there had been a story about one ISIS leader who had ordered the book "Islam for Dummies" from amazon.com.
The resurgence of radical Islam in parts of the Mideast today, Armstrong said, is in part a response to the violence used to repress religion and impose a secular state in places like Iran and Egypt in the mid-20th-century.
Another factor, she said, "is a perception in many parts of the Middle East that the West is indifferent to human suffering."
While some have labeled Armstrong an apologist for Islam, she said she abhors the ISIS-sponsored aggression and says that it actually defies Islamic law that forbids violence against civilians and prohibits attacking any country where Muslims are allowed to practice their faith freely.
Armstrong has been a leader in the Charter for Compassion, a global effort to involving elected leaders, clergy and laypeople to sign on to this simple notion: "Do not impose on others what you yourself would not desire." She read an elaboration of that Golden Rule, which is available here.
Armstrong, who turns 70 on Nov. 14, lived in a convent, leaving it after six years, when she was 24. Since then, she remained unmarried and without children. She lives alone and spends much time in study, research, reflection and writing, so that her life today "remains very nun-like," she said.
But Armstrong is no stay-at-home. She travels globally to speak and promote her books. She has given TED talks and is a regular TV commentator. She has made numerous trips to Pakistan, where she has helped promote a chain of progressive schools.
While her topic is a serious one, Armstrong frequently displayed flashes of wit and self-deprecating humor. She acknowledged Britain's once-mighty status as a colonial power, but said "we now view ourselves as the poodle of the United States."
Star Tribune writer Graydon Royce recently interviewed Armstrong, here.
Armstrong's full talk is scheduled to be rebroadcast at 10 a.m. Tuesday, Nov. 18, on Minnesota Public Radio.
The conference site, the Elmer Anderson library on the west bank, is literally a stone's throw from the spot where the Pulitzer Prize-winning poet, who suffered from alcoholism and depression, leapt to his death from the Washington Avenue bridge.
At a late-afternoon event, more than 100 people showed up for a reading by actor/writer/director Ben Kreilkamp and poets Jim Moore, Joyce Sutphen, Michael Dennis Browne, Peter Campion, Ray Gonzalez and Wang Ping.
Kreilkamp put an actor's topspin on five of Berryman's Dream Songs, including the powerful #384, which opens, "I stand above my father's grave with rage."
Moore remembered taking a class from Berryman and read "The Ball Poem" and "The Traveler."
Sutphen recalled once seeing Berryman walking out of Walter LIbrary, "talking wildly to himself." She regretted not following him to hear one of his famed lectures. Sutphen read her own poem "Berryman's Hands," as well as a Shakespeare sonnet.
Browne, who has taught at the university for 39 years, read an elegy Berryman wrote for his good friend, poet Randall Jarrell, as well as some of Berryman's favorite lines from Shakespeare.
Campion movingly read a section from Walt Whitman's "Song of Myself," as well as his own poem "Blood Brook" and Dream Song #75.
Gonzalez read from a biography of Berryman, plus several Dream Songs and his own prose poem, "John Berryman and Robert Lowell Switch Hospitals."
Wang Ping, who teaches at Macalester, read one of her poems from her new book, "10,000 Waves," and the famous Dream Song #14 ("Life, friends, is boring. We must not say so.")
Full conference schedule here.
Graywolf Press poets Claudia Rankine (above, photo by John Lucas) and Fanny Howe, below, photo by Lynn Christoffers) were named two of five finalists for the National Book Award on Wednesday.
Two poetry collections published by Minneapolis-based Graywolf Press have been named 2014 National Book Award finalists."Second Childhood" by Fanny Howe and "Citizen: An American Lyric" by Claudia Rankine are two of the five short-listed titles announced Wednesday, with the winner to be announced in November.
Executive editor Jeff Shotts of Graywolf, who edited both collections, said the book by Howe, who spends every summer at an Irish monastery, "comes out of a strong sense of Catholic faith, its role in the faimly and what it means to be a part of that community."
The themes of Rankine's collection, a multi-genre mix of poetry, essays and visual artwork, is particularly timely, Shotts said: "It's about race in this country, the sort of racially motivated micro-aggression that can become macro, like what happened in Ferguson," he said referring to the prolonged unrest in the St. Louis suburb following the shooitng of an unarmed black youth by a white police officer.
Authors published by Graywolf have been tallying up an impressive list of awards over the past few years. Swedish poet Tomas Transtromer received the Nobel Prize in Literature in 2011, and Pultizer prizes for poetry were issued to Tracy K. Smith in 2012 and Vijay Seshadri in 2014. Last year's National Book Award winner for poetry was Mary Szybist's "Incarnadine," also a Graywolf title.
Joan Rothfuss, author of "Topless Cellist: the Improbable Life of Chralotte Moorman."
Forget Pablo Casals and Yo-Yo Ma. Sure they were, and are, brilliant cellists, but those guys kept their clothes on. For sheer spectacle, madcap antics,exhibitionism and a generous dollop of cello skills, you want Julliard-trained Charlotte Moorman, a gal from Little Rock, AK who grabbed the avant garde by the scruff of its self-absorbed neck and -- in the 1960s and '70 -- dragged it onto the public glare of television variety and talk shows (Mike Douglas, Johnny Carson, Merv Griffin), shopping malls and prisons, and to New York City's Central Park, Shea Stadium and Grand Central Terminal.
In former Walker Art Center curator Joan Rothfuss, Moorman has found her perfect biographer. Rothfuss's "Topless Cellist: The Improbable Life of Charlotte Moorman," (MIT Press, $34.95) is fast paced, thoroughly researched, amusing, witty, compassionate, deeply informed and filled with jaw-dropping stories. Rothfuss will talk about Moorman and sign copies of the book at 2 p.m. October 5 in the Walker Cinema, 1750 Hennepin Av., Minneapolis. Free. 612-375-7600 or www.walkerart.org
Moorman played the cello while suspended from balloons floating over Australia's Sydney Opera House, performed on a cello made of ice, and often did her shows topless, in the buff, wrapped in cellophane, or wearing the "TV Bra," a contraption that sported two mini-televisions, one for each breast, in plexiglass boxes attached to transparent straps.
In February 1967 she was arrested (during a topless performance), tried and, in a sensationalized trial that generated huge publicity, convicted for violating "community standards of decency." Though humiliated by the incident, she embraced the "Topless Cellist" nickname that it spawned.
"TV Bra," was designed and built by Moorman's longtime companion and fellow avant-gardist Nam June Paik and is sometimes blamed for the breast cancer from which she died in 1991, age 57. To test that assumption, Rothfuss had the bra checked by a physicist who measured the radiation it emitted and concluded that it was highly unlikely that Moorman would have gotten cancer as a result of her performances while wearing it. "TV Bra" is now in the collection of Walker Art Center along with Paik's "TV Cello" and other Moorman/Paik memorabilia.
As a friend, colleague, pal and sometimes irritant to many contemporary artists, Moorman is remembered in Rothfuss' book by Yoko Ono, Jasper Johns, Allan Kaprow, and others too numerous to mention.
"Topless Cellist" is a brilliant portrait of a true original and the chaotic, confrontational, destructive, absurd era in which she lived. It's also a must read for anyone who was flirting with Artland back then, or wishes they'd been on the scene. A portrait of the times as much as the woman, "Topless Cellist," gives a full measure of a life lived with "extreme passion, extreme sex, extreme beauty."
RIP Charlotte Moorman, 1933-1991
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